Black History 365: Dr. Sherry Blake

We are highlighting examples of Black excellence throughout the year! Feel free to send us suggestions!

Dr. Sherry Blake, is one of the most highly sought-after media experts in the area of mental health in the country. Most known as the therapist for WeTv’s longest standing African American family reality series “Braxton Family Values,” she has appeared as a guest expert on countless other shows including The Real Housewives of Atlanta, T.I. & Tiny Family Hustle, Love and Hip Hop Atlanta, Preachers of Atlanta, Little Women of Atlanta, CNN, MSNBC, and HLN.

She has also been featured on numerous national syndicated radio shows including The Michael Baisden Show, Tom Joyner Morning Show, The Doug Banks Morning Show, and Essence Live. Dr. Sherry is a licensed clinical psychologist with over 30 years and over 200,000 hours of direct and indirect service. She works with everyone from top celebrities in the entertainment, news, and sports arena to everyday people.

Dr. Sherry earned her Ph.D. in Clinical Psychology from Vanderbilt University in Nashville, Tennessee. She also earned her Masters of Science Degree from Vanderbilt after graduating summa cum laude from Tennessee State University. Dr. Sherry has served on numerous Boards of Directors and as the President of the Metropolitan Atlanta Mental Health Association.

– IMDb Mini Biography By: Johnny Lester Jr.

https://www.imdb.com/name/nm9111031/bio

Black History 365: Ron Carter

We are highlighting examples of Black excellence throughout the year! Feel free to send us suggestions!

Ron Carter is one of the most prolific and influential bassists in jazz history. During his six-decade career, he has recorded more than 2,000 records, and he has no plan on slowing down.

“Age has not made me think slower,” Carter says. And it’s not made me refuse gigs. What it’s made me do is be thankful I got this far playing an instrument with four strings.”

Next Tuesday, May 10, For the Love of Ron Carter and Friends will take place at Carnegie Hall – which is a one-night 85th birthday celebration. Carter will lead three different bands performing highlights from his career.

The Most Important Bass Player

Born in Ferndale, Michigan in 1937, Carter started to play the cello at the age of 10, but switched to bass in high school because he claims opportunities were limited for Black musicians to play classical music. He studied at the Eastman School of Music, then went on to get his master’s degree at the Manhattan School of Music. By the time he was 25, he was one of the most sought-after sidemen in jazz.

Carter’s most historic recordings came in the 1960s as the bassist in the second great Miles Davis Quintet. He says the band – with Miles Davis on trumpet, George Coleman and then Wayne Shorter on saxophone, Herbie Hancock on piano, and Tony Williamson on drums — never rehearsed before recording.

“God gave Miles the title of Head Clinician at this laboratory,” Carter recalls. “And his job was to bring in these various chemicals night in and night out, and see what these remaining four guys in this group—what kind of combinations would they find of these explosive devices he brought to the gig, and what kind of fun could he have trying to keep up.”

Each night when Carter would leave a gig with the Miles Davis Quintet, he’d review the session.

“I’d look back and say now, ‘How did I help these guys play better?’ And ‘how could I make me be better as I got them better?’ Those are my views,” he says. “And to this day, that’s still how I feel when I’m playing a gig: That I helped these people who I’m playing with get better because I’m playing with them.”

And Carter has certainly helped a lot of musicians get better. Bassist Stanley Clarke says in the last 50 years, Carter has been “the most important bass player.” Before Clarke became famous as a founding member of Chick Corea’s Return to Forever band, he says he learned by listening to Carter.

“I remember as a young kid, I used to get his records,” Clarke recalls. “I could tell he was very, very professional because the consistency was there from record to record to record: his sound, his ability, and then his flow.”

Giovanni Russonello, who writes about Jazz for the New York Times, says Carter has left as big a footprint in the music as any musician, let alone bassists.

“When I think of Ron Carter, I think of this incredible ability to be sure-footed everywhere, but also sound almost like a plasma, like some undefinable, mutable substance,” he said. “Because his bass line sound endlessly fascinating, and full of ideas. And on the move.”

https://www.npr.org/2022/05/04/1096293712/85-year-old-bassist-ron-carter-has-no-plans-on-slowing-down

Black History 365: Karine Jean-Pierre

We are highlighting examples of Black excellence throughout the year! Feel free to send us suggestions!

Karine Jean-Pierre will become the 1st Black White House press secretary

President Biden has named Karine Jean-Pierre as his second White House press secretary, replacing Jen Psaki later this month. Jean-Pierre, who has been Psaki’s deputy since the start of the administration, will make history several times over.

She will be the first Black press secretary in White House history and the first openly gay person in this high-profile role, speaking for both the president and the U.S. government in press briefings that are watched by the world.

“Karine not only brings the experience, talent and integrity needed for this difficult job, but she will continue to lead the way in communicating about the work of the Biden-Harris Administration on behalf of the American people,” Biden said in a statement announcing the news. “Jill and I have known and respected Karine a long time and she will be a strong voice speaking for me and this Administration.”

“This is a historic moment, and it’s not lost on me,” Jean-Pierre said at Thursday’s press briefing, where she appeared with Psaki, embracing and holding hands at times.

“I understand how important it is for so many people out there, so many different communities, that I stand on their shoulders and I have been throughout my career,” she added.

Psaki referred to her successor as “my partner in truth.” She added, “One of the first conversations we had when we both found out we were getting these jobs was about how we wanted to build a drama-free, on your best days, workplace where everybody worked hard. Where we, on our best days, were rebuilding trust with the public.”

Jean-Pierre came to the Biden team from the progressive organization MoveOn.org, where she was a top communications staffer. She was also a regular on MSNBC. Jean-Pierre has already led several White House press briefings, including when Psaki was out with COVID.

“It’s a real honor just to be standing here today,” Jean-Pierre said in May 2021 during her first turn behind the famous lectern. “I appreciate the historic nature, I really do. But I believe being behind this podium, being in this room, being in this building, is not about one person. It’s about what we do on behalf of the American people.”

Jean-Pierre has had a few rough briefings, winding up in the hot seat on days when there were headlines the White House didn’t have great answers for. In one briefing on Air Force One, she accidentally suggested the U.S. favored admitting Ukraine to NATO, before quickly walking it back upon landing. She is generally well liked among reporters and will provide continuity as significant turnover is expected in White House press operations in the coming weeks.

Psaki is widely expected to take a job at MSNBC when she leaves. Her last day is scheduled for May 13th.

“Jen Psaki has set the standard for returning decency, respect and decorum to the White House Briefing Room,” said Biden in the statement. “I want to say thank you to Jen for raising the bar, communicating directly and truthfully to the American people, and keeping her sense of humor while doing so.”

In addition to the elevation of Jean-Pierre, the White House announced long-time Biden adviser Anita Dunn will return as a senior adviser and assistant to the president. She briefly left the administration last summer to work at the consulting firm SKDK, but didn’t stay away long.

Raised in New York, Jean-Pierre was born in Martinique and went to Columbia University. Throughout her career she has bounced between Democratic political campaigns and left-leaning organizations.

https://www.npr.org/2022/05/05/1096942696/karine-jean-pierre-is-replacing-jen-psaki-as-white-house-press-secretary

Black History 365: Mary Seacole

We are highlighting examples of Black excellence throughout the year! Feel free to send us suggestions!

Mary Jane Seacole (born Grant;[2][3][4] 23 November 1805 – 14 May 1881)[5] was a British-Jamaican nurse and businesswoman who set up the “British Hotel” behind the lines during the Crimean War.[6] She described the hotel as “a mess-table and comfortable quarters for sick and convalescent officers”, and provided succour for wounded service men on the battlefield, nursing many of them back to health. Coming from a tradition of Jamaican and West African “doctresses“, Seacole displayed “compassion, skills and bravery while nursing soldiers during the Crimean War”, through the use of herbal remedies. She was posthumously awarded the Jamaican Order of Merit in 1991. In 2004, she was voted the greatest black Briton in a survey conducted by the black heritage website Every Generation.

It has been argued that Seacole was arguably the first nurse practitioner.[6][7][n 1] Hoping to assist with nursing the wounded on the outbreak of the Crimean War, Seacole applied to the War Office to be included among the nursing contingent but was refused,[8] so she travelled independently and set up her hotel and tended to the battlefield wounded. She became popular among service personnel, who raised money for her when she faced destitution after the war. In 1857 a four-day fundraising gala took place in London to honour Seacole. About 40,000 attended, including veterans.

After her death she was largely forgotten for almost a century, but then began to be recognised for her accomplishments. Her autobiography, Wonderful Adventures of Mrs. Seacole in Many Lands (1857), is one of the earliest autobiographies of an Afro-Caribbean woman, although some aspects of its accuracy have been questioned. The erection of a statue of her at St Thomas’ Hospital, London, on 30 June 2016, describing her as a “pioneer”, generated controversy and opposition.

Early career and background

Mary Jane Seacole was born Mary Jane Grant on November 23 1805 in Kingston, in the Colony of Jamaica as a member of the community of free black people in Jamaica.[9] She was the daughter of James Grant, a Scottish[10] Lieutenant in the British Army.[11] Her mother, Mrs Grant, nicknamed “The Doctress”, was a healer who used traditional Caribbean and African herbal medicines. Mrs Grant also ran Blundell Hall, a boarding house at 7, East Street.[12][13] [n 2]

At Blundell Hall, Seacole acquired her nursing skills, which included the use of hygiene, ventilation, warmth, hydration, rest, empathy, good nutrition and care for the dying. Blundell Hall also served as a convalescent home for military and naval staff recuperating from illnesses such as cholera and yellow fever.[3] Seacole’s autobiography says she began experimenting in medicine, based on what she learned from her mother, by ministering to a doll and then progressing to pets before helping her mother treat humans. Because of her family’s close ties with the army, she was able to observe the practices of military doctors, and combined that knowledge with the West African remedies she acquired from her mother.[15][16] In Jamaica in the late 18th and early 19th centuries, neonatal deaths were more than a quarter of total births. However, Seacole, using traditional West African herbal remedies and hygienic practices, boasted that she never lost a mother or her child.[17][18]

Seacole was proud of both her Jamaican and Scottish ancestry and called herself a Creole[11] [n 3] In her autobiography, The Wonderful Adventures of Mrs. Seacole, she writes: “I am a Creole, and have good Scots blood coursing through my veins. My father was a soldier of an old Scottish family.”[10][20] Robinson speculates that she may technically have been a quadroon.[21] Seacole emphasises her personal vigour in her autobiography, distancing herself from the contemporary stereotype of the “lazy Creole”,[11][22][23] She was proud of her black ancestry, writing, “I have a few shades of deeper brown upon my skin which shows me related – and I am proud of the relationship – to those poor mortals whom you once held enslaved, and whose bodies America still owns.”[24]

Mary Seacole spent some years in the household of an elderly woman, whom she called her “kind patroness”,[11] before returning to her mother. She was treated as a member of her patroness’s family and received a good education.[25] As the educated daughter of a Scottish officer and a free black woman with a respectable business, Seacole would have held a high position in Jamaican society.[26]

In about 1821, Seacole visited London, staying for a year, and visited her relatives in the merchant Henriques family. Although London had a number of black people,[27] she records that a companion, a West Indian with skin darker than her own “dusky” shades, was taunted by children. Seacole herself was “only a little brown”;[11] she was nearly white according to one of her biographers, Dr. Ron Ramdin.[28] She returned to London approximately a year later, bringing a “large stock of West Indian pickles and preserves for sale”.[11] Her later travels would be without a chaperone or sponsor – an unusually independent practice at a time when women had limited rights.[29]

In the Caribbean, 1826–51

After returning to Jamaica, Seacole cared for her “old indulgent patroness” through an illness,[11] finally returning to the family home at Blundell Hall after the death of her patroness (a woman who gave financial support to her) a few years later. Seacole then worked alongside her mother, occasionally being called to provide nursing assistance at the British Army hospital at Up-Park Camp. She also travelled the Caribbean, visiting the British colony of New Providence in The Bahamas, the Spanish colony of Cuba, and the new Republic of Haiti. Seacole records these travels, but omits mention of significant current events, such as the Christmas Rebellion in Jamaica of 1831, the abolition of slavery in 1833,[30] and the abolition of “apprenticeship” in 1838.[31]

She married Edwin Horatio Hamilton Seacole in Kingston on 10 November 1836. Her marriage, from betrothal to widowhood, is described in just nine lines at the conclusion of the first chapter of her autobiography.[11] Robinson reports the legend in the Seacole family that Edwin was an illegitimate son of Lord Nelson and his mistress, Emma Hamilton, who was adopted by Thomas, a local “surgeon, apothecary and man midwife”[32] (Seacole’s will indicates that Horatio Seacole was Nelson’s godson: she left a diamond ring to her friend, Lord Rokeby, “given to my late husband by his godfather Viscount Nelson”, but there was no mention of this godson in Nelson’s own will or its codicils.)[33] Edwin was a merchant and seems to have had a poor constitution. The newly married couple moved to Black River and opened a provisions store which failed to prosper. They returned to Blundell Hall in the early 1840s.

During 1843 and 1844, Seacole suffered a series of personal disasters. She and her family lost much of the boarding house in a fire in Kingston on 29 August 1843.[24] Blundell Hall burned down, and was replaced by New Blundell Hall, which was described as “better than before”.[24] Then her husband died in October 1844, followed by her mother.[24] After a period of grief, in which Seacole says she did not stir for days,[11] she composed herself, “turned a bold front to fortune”,[24] and assumed the management of her mother’s hotel. She put her rapid recovery down to her hot Creole blood, blunting the “sharp edge of [her] grief” sooner than Europeans who she thought “nurse their woe secretly in their hearts”.[11]

Seacole absorbed herself in work, declining many offers of marriage.[24] She later became known to the European military visitors to Jamaica who often stayed at Blundell Hall. She treated and nursed patients in the cholera epidemic of 1850, which killed some 32,000 Jamaicans.[34][3]

In Central America, 1851–54

In 1850, Seacole’s half-brother Edward moved to Cruces, Panama, which was then part of New Granada. There, approximately 45 miles (72 km) up the Chagres River from the coast, he followed the family trade by establishing the Independent Hotel to accommodate the many travellers between the eastern and western coasts of the United States (the number of travellers had increased enormously, as part of the 1849 California Gold Rush[35]). Cruces was the limit of navigability of the Chagres River during the rainy season, which lasts from June to December.[36] Travellers would ride on donkeys approximately 20 miles (32 km) along the Las Cruces trail from Panama City on the Pacific Ocean coast to Cruces, and then 45 miles (72 km) down-river to the Atlantic Ocean at Chagres (or vice versa).[37] In the dry season, the river subsided, and travellers would switch from land to the river a few miles farther downstream, at Gorgona[36] Most of these settlements have now been submerged by Gatun Lake, formed as part of the Panama Canal.

In 1851, Seacole travelled to Cruces to visit her brother. Shortly after her arrival, the town was struck by cholera, a disease which had reached Panama in 1849.[38][39] Seacole was on hand to treat the first victim, who survived, which established Seacole’s reputation and brought her a succession of patients as the infection spread. The rich paid, but she treated the poor for free.[40] Many, both rich and poor, succumbed. She eschewed opium, preferring mustard rubs and poultices, the laxative calomel (mercuric chloride), sugars of lead (lead(II) acetate), and rehydration with water boiled with cinnamon.[38][41] While her preparations had moderate success, she faced little competition, the only other treatments coming from a “timid little dentist”,[38] who was an inexperienced doctor sent by the Panamanian government, and the Roman Catholic Church.

The epidemic raged through the population. Seacole later expressed exasperation at their feeble resistance, claiming they “bowed down before the plague in slavish despair”.[38] She performed an autopsy on an orphan child for whom she had cared, which gave her “decidedly useful” new knowledge. At the end of this epidemic she herself contracted cholera, forcing her to rest for several weeks. In her autobiography, The Wonderful Adventures of Mrs. Seacole in Many Lands, she describes how the residents of Cruces responded: “When it became known that their “yellow doctress” had the cholera, I must do the people of Cruces the justice to say that they gave me plenty of sympathy, and would have shown their regard for me more actively, had there been any occasion.”[42]

Cholera was to return again: Ulysses S. Grant passed through Cruces in July 1852, on military duty; a hundred and twenty men, a third of his party, died of the disease there or shortly afterwards en route to Panama City.[39]

Despite the problems of disease and climate, Panama remained the favoured route between the coasts of the United States. Seeing a business opportunity, Seacole opened the British Hotel, which was a restaurant rather than a hotel. She described it as a “tumble down hut,” with two rooms, the smaller one to be her bedroom, the larger one to serve up to 50 diners. She soon added the services of a barber.[42]

As the wet season ended in early 1852, Seacole joined other traders in Cruces in packing up to move to Gorgona. She records a white American giving a speech at a leaving dinner in which he wished that “God bless the best yaller woman he ever made” and asked the listeners to join with him in rejoicing that “she’s so many shades removed from being entirely black”. He went on to say that “if we could bleach her by any means we would […] and thus make her acceptable in any company[,] as she deserves to be”.[43] Seacole replied firmly that she did not “appreciate your friend’s kind wishes with respect to my complexion. If it had been as dark as any nigger’s, I should have been just as happy and just as useful, and as much respected by those whose respect I value.” She declined the offer of “bleaching” and drank “to you and the general reformation of American manners”.[43] Salih notes Seacole’s use here of eye dialect, set against her own English, as an implicit inversion of the day’s caricatures of “black talk”.[44] Seacole also comments on the positions of responsibility taken on by escaped African-American slaves in Panama, as well as in the priesthood, the army, and public offices,[38] commenting that “it is wonderful to see how freedom and equality elevate men”.[45] She also records an antipathy between Panamanians and Americans, which she attributes in part to the fact that so many of the former had once been slaves of the latter.[43]

In Gorgona, Seacole briefly ran a females-only hotel. In late 1852, she travelled home to Jamaica. Already delayed, the journey was further made difficult when she encountered racial discrimination while trying to book passage on an American ship. She was forced to wait for a later British boat.[43] In 1853, soon after arriving home, Seacole was asked by the Jamaican medical authorities to provide nursing care to victims of a severe outbreak of yellow fever.[43][3] She found that she could do little, because the epidemic was so severe. Her memoirs state that her own boarding house was full of sufferers and she saw many of them die. Although she wrote, “I was sent for by the medical authorities to provide nurses for the sick at Up-Park Camp,” she did not claim to bring nurses with her when she went. She left her sister with some friends at her house, went to the camp (about a mile, or 1.6 km, from Kingston), “and did my best, but it was little we could do to mitigate the severity of the epidemic.”[43] However, in Cuba Seacole is remembered with great fondness by those she nursed back to health, where she became known as “the Yellow Woman from Jamaica with the cholera medicine”.[46]

Seacole returned to Panama in early 1854 to finalise her business affairs, and three months later moved to the New Granada Mining Gold Company establishment at Fort Bowen Mine some 70 miles (110 km) away near Escribanos.[47] The superintendent, Thomas Day, was related to her late husband. Seacole had read newspaper reports of the outbreak of war against Russia before she left Jamaica, and news of the escalating Crimean War reached her in Panama. She determined to travel to England to volunteer as a nurse with experience in herbal healing skills,[47] to experience the “pomp, pride and circumstance of glorious war” as she described it in Chapter I of her autobiography. A part of her reasoning for going to Crimea was that she knew some of the soldiers that were deployed there. In her autobiography she explains how she heard of soldiers that she had cared for and nursed back to health in the 97th and 48th regiments were being shipped back to England in preparation for the fighting on the Crimean Peninsula.

Crimean War, 1853–56

The Crimean War lasted from October 1853 until 1 April 1856 and was fought between the Russian Empire and an alliance of the United Kingdom, France, the Kingdom of Sardinia, and the Ottoman Empire. The majority of the conflict took place on the Crimean peninsula in the Black Sea and Turkey.

Many thousands of troops from all the countries involved were drafted to the area, and disease broke out almost immediately. Hundreds perished, mostly from Cholera. Hundreds more would die waiting to be shipped out, or on the voyage. Their prospects were little better when they arrived at the poorly staffed, unsanitary and overcrowded hospitals which were the only medical provision for the wounded. In Britain, a trenchant letter in The Times on 14 October triggered Sidney Herbert, Secretary of State for War, to approach Florence Nightingale to form a detachment of nurses to be sent to the hospital to save lives. Interviews were quickly held, suitable candidates selected, and Nightingale left for Turkey on 21 October.[48]

Seacole travelled from Navy Bay in Panama to England, initially to deal with her investments in gold-mining businesses. She then attempted to join the second contingent of nurses to the Crimea. She applied to the War Office and other government offices, but arrangements for departure were already underway. In her memoir, she wrote that she brought “ample testimony” of her experience in nursing, but the only example officially cited was that of a former medical officer of the West Granada Gold-Mining Company. However, Seacole wrote that this was just one of the testimonials she had in her possession.[49] Seacole wrote in her autobiography, “Now, I am not for a single instant going to blame the authorities who would not listen to the offer of a motherly yellow woman to go to the Crimea and nurse her ‘sons’ there, suffering from cholera, diarrhœa, and a host of lesser ills. In my country, where people know our use, it would have been different; but here it was natural enough – although I had references, and other voices spoke for me – that they should laugh, good-naturedly enough, at my offer.”[50]

Seacole also applied to the Crimean Fund, a fund raised by public subscription to support the wounded in Crimea, for sponsorship to travel there, but she again met with refusal.[51] Seacole questioned whether racism was a factor in her being turned down. She wrote in her autobiography, “Was it possible that American prejudices against colour had some root here? Did these ladies shrink from accepting my aid because my blood flowed beneath a somewhat duskier skin than theirs?”[52][53] An attempt to join the contingent of nurses was also rebuffed, as she wrote, “Once again I tried, and had an interview this time with one of Miss Nightingale’s companions. She gave me the same reply, and I read in her face the fact, that had there been a vacancy, I should not have been chosen to fill it.”[52][54] Seacole did not stop after being rebuffed by the Secretary-at-War, she soon approached his wife, Elizabeth Herbert, who also informed her “that the full complement of nurses had been secured” (Seacole 78, 79).

Nightingale reportedly wrote, “I had the greatest difficulty in repelling Mrs Seacole’s advances, and in preventing association between her and my nurses (absolutely out of the question!)…Anyone who employs Mrs Seacole will introduce much kindness – also much drunkenness and improper conduct”.[55][56]

Seacole finally resolved to travel to Crimea using her own resources and to open the British Hotel. Business cards were printed and sent ahead to announce her intention to open an establishment, to be called the “British Hotel”, near Balaclava, which would be “a mess-table and comfortable quarters for sick and convalescent officers”.[49] Shortly afterwards, her Caribbean acquaintance, Thomas Day, arrived unexpectedly in London, and the two formed a partnership. They assembled a stock of supplies, and Seacole embarked on the Dutch screw-steamer Hollander on 27 January 1855 on its maiden voyage, to Constantinople.[49][57] The ship called at Malta, where Seacole encountered a doctor who had recently left Scutari. He wrote her a letter of introduction to Nightingale.[58]

Seacole visited Nightingale at the Barrack Hospital in Scutari, where she asked for a bed for the night. Seacole wrote, “Mrs. B. [full surname Bracebridge] questions me very kindly, but with the same look of curiosity and surprise. What object has Mrs. Seacole in coming out? This is the purport of her questions. And I say, frankly, to be of use somewhere; for other considerations I had not, until necessity forced them upon me. Willingly, had they accepted me, I would have worked for the wounded, in return for bread and water. I fancy Mrs. B— thought that I sought for employment at Scutari, for she said, very kindly – “Miss Nightingale has the entire management of our hospital staff, but I do not think that any vacancy – “[59]

Seacole interrupted Bracebridge to inform her that she intended to travel to Balaclava the next day to join her business partner. In her memoirs, she reported that her meeting with Nightingale was friendly, with Nightingale asking “What do you want, Mrs. Seacole? Anything we can do for you? If it lies in my power, I shall be very happy.”[58] Seacole told her of her “dread of the night journey by caique” and the improbability of being able to find the Hollander in the dark. A bed was then found for her and breakfast sent her in the morning, with a “kind message” from Bracebridge. A footnote in the memoir states that Seacole subsequently “saw much of Miss Nightingale at Balaclava,” but no further meetings are recorded in the text.

After transferring most of her stores to the transport ship Albatross, with the remainder following on the Nonpareil, she set out on the four-day voyage to the British bridgehead into Crimea at Balaclava.[60] Lacking proper building materials, Seacole gathered abandoned metal and wood in her spare moments, with a view to using the debris to build her hotel. She found a site for the hotel at a place she christened Spring Hill, near Kadikoi, some 3+1⁄2 miles (5.6 km) along the main British supply road from Balaclava to the British camp near Sevastopol, and within a mile of the British headquarters.[61]

The hotel was built from the salvaged driftwood, packing cases, iron sheets, and salvaged architectural items such as glass doors and window-frames, from the village of Kamara, using hired local labour.[61] The new British Hotel opened in March 1855. An early visitor was Alexis Soyer, a noted French chef who had travelled to Crimea to help improve the diet of British soldiers. He records meeting Seacole in his 1857 work A Culinary Campaign and describes Seacole as “an old dame of a jovial appearance, but a few shades darker than the white lily”.[62] Seacole requested Soyer’s advice on how to manage her business, and was advised to concentrate on food and beverage service, and not to have beds for visitors because the few either slept on board ships in the harbour or in tents in the camp.[63]

The hotel was completed in July at a total cost of £800. It included a building made of iron, containing a main room with counters and shelves and storage above, an attached kitchen, two wooden sleeping huts, outhouses, and an enclosed stable-yard.[64][65] The building was stocked with provisions shipped from London and Constantinople, as well as local purchases from the British camp near Kadikoi and the French camp at nearby Kamiesch. Seacole sold anything – “from a needle to an anchor”—to army officers and visiting sightseers.[64] Meals were served at the Hotel, cooked by two black cooks, and the kitchen also provided outside catering.

Despite constant thefts, particularly of livestock, Seacole’s establishment prospered. Chapter XIV of Wonderful Adventures describes the meals and supplies provided to officers. They were closed at 8 pm daily and on Sundays. Seacole did some of the cooking herself: “Whenever I had a few leisure moments, I used to wash my hands, roll up my sleeves, and roll out pastry.” When called to “dispense medications,” she did so.[66] Soyer was a frequent visitor, and praised Seacole’s offerings,[67] noting that she offered him champagne on his first visit.[63]

To Soyer, near the time of departure, Florence Nightingale acknowledged favourable views of Seacole, consistent with their one known meeting in Scutari. Soyer’s remarks—he knew both women—show pleasantness on both sides. Seacole told him of her encounter with Nightingale at the Barrack Hospital: “You must know, M Soyer, that Miss Nightingale is very fond of me. When I passed through Scutari, she very kindly gave me board and lodging.”[68] When he related Seacole’s inquiries to Nightingale, she replied “with a smile: ‘I should like to see her before she leaves, as I hear she has done a deal of good for the poor soldiers.'”[69] Nightingale, however, did not want her nurses associating with Seacole, as she wrote to her brother-in-law.[70]

Seacole often went out to the troops as a sutler,[71] selling her provisions near the British camp at Kadikoi, and nursing casualties brought out from the trenches around Sevastopol or from the Tchernaya valley.[40] She was widely known to the British Army as “Mother Seacole”.[2]

Apart from serving officers at the British Hotel, Seacole also provided catering for spectators at the battles, and spent time on Cathcart’s Hill, some 3+1⁄2 miles (5.6 km) north of the British Hotel, as an observer. On one occasion, attending wounded troops under fire, she dislocated her right thumb, an injury which never healed entirely.[72] In a dispatch written on 14 September 1855, William Howard Russell, special correspondent of The Times, wrote that she was a “warm and successful physician, who doctors and cures all manner of men with extraordinary success. She is always in attendance near the battlefield to aid the wounded and has earned many a poor fellow’s blessing.” Russell also wrote that she “redeemed the name of sutler”, and another that she was “both a Miss Nightingale and a [chef]”. Seacole made a point of wearing brightly coloured, and highly conspicuous, clothing—often bright blue, or yellow, with ribbons in contrasting colours.[73][74] While Lady Alicia Blackwood later recalled that Seacole had “… personally spared no pains and no exertion to visit the field of woe, and minister with her own hands such things as could comfort or alleviate the suffering of those around her; freely giving to such as could not pay …”.[75]

Her peers, though wary at first, soon found out how important Seacole was for both medical assistance and morale. One British medical officer described Seacole in his memoir as “The acquaintance of a celebrated person, Mrs. Seacole, a coloured women who out of the goodness of her heart and at her own expense, supplied hot tea to the poor sufferers [wounded men being transported from the peninsula to the hospital at Scutari ] while they are waiting to be lifted into the boats…. She did not spare herself if she could do any good to the suffering soldiers. In rain and snow, in storm and tempest, day after day she was at her self-chosen post with her stove and kettle, in any shelter she could find, brewing tea for all who wanted it, and they were many. Sometimes more than 200 sick would be embarked in one day, but Mrs. Seacole was always equal, to the occasion”. But Seacole did more than carry tea to the suffering soldiers. She often carried bags of lint, bandages, needles and thread to tend to the wounds of soldiers.[13]

In late August, Seacole was on the route to Cathcart’s Hill for the final assault on Sevastopol on 7 September 1855. French troops led the storming, but the British were beaten back. By dawn on Sunday 9 September, the city was burning out of control, and it was clear that it had fallen: the Russians retreated to fortifications to the north of the harbour. Later in the day, Seacole fulfilled a bet, and became the first British woman to enter Sevastopol after it fell.[76] Having obtained a pass, she toured the broken town, bearing refreshments and visiting the crowded hospital by the docks, containing thousands of dead and dying Russians. Her foreign appearance led to her being stopped by French looters, but she was rescued by a passing officer. She looted some items from the city, including a church bell, an altar candle, and a three-metre (10 ft) long painting of the Madonna.[76][77]

After the fall of Sevastopol, hostilities continued in a desultory fashion.[78] The business of Seacole and Day prospered in the interim period, with the officers taking the opportunity to enjoy themselves in the quieter days.[79] There were theatrical performances and horse-racing events for which Seacole provided catering.[80]

Seacole was joined by a 14-year-old girl, Sarah, also known as Sally. Soyer described her as “the Egyptian beauty, Mrs Seacole’s daughter Sarah”, with blue eyes and dark hair. Nightingale alleged that Sarah was the illegitimate offspring of Seacole and Colonel Henry Bunbury. However, there is no evidence that Bunbury met Seacole, or even visited Jamaica, at a time when she would have been nursing her ailing husband.[81] Ramdin speculates that Thomas Day could have been Sarah’s father, pointing to the unlikely coincidences of their meeting in Panama and then in England, and their unusual business partnership in Crimea.[82]

Peace talks began in Paris in early 1856, and friendly relations opened between the Allies and the Russians, with a lively trade across the River Tchernaya.[83] The Treaty of Paris was signed on 30 March 1856, after which the soldiers left Crimea. Seacole was in a difficult financial position, her business was full of unsaleable provisions, new goods were arriving daily, and creditors were demanding payment.[83] She attempted to sell as much as possible before the soldiers left, but she was forced to auction many expensive goods for lower-than-expected prices to the Russians who were returning to their homes. The evacuation of the Allied armies was formally completed at Balaclava on 9 July 1856, with Seacole “… conspicuous in the foreground … dressed in a plaid riding-habit …”.[84] Seacole was one of the last to leave Crimea, returning to England “poorer than [she] left it”.[83] Though she had left poorer, her impact on the soldiers was invaluable to the soldiers she treated, changing their perceptions about her as described in the Illustrated London News: “Perhaps at first the authorities looked askant at the woman-volunteer; but they soon found her worth and utility; and from that time until the British army left the Crimea, Mother Seacole was a household word in the camp…In her store on Spring Hill she attended many patients, cared for many sick, and earned the good will and gratitude of hundreds”.[85]

Sociology professor Lynn McDonald is co-founder of The Nightingale Society, which promotes the legacy of Nightingale, who did not see eye-to-eye with Seacole. McDonald believes that Seacole’s role in the Crimean War was overplayed:[86]

Mary Seacole, although never the ‘black British nurse’ she is claimed to have been, was a successful mixed-race immigrant to Britain. She led an adventurous life, and her memoir of 1857 is still a lively read. She was kind and generous. She made friends of her customers, army and navy officers, who came to her rescue with a fund when she was declared bankrupt. While her cures have been vastly exaggerated, she doubtless did what she could to ease suffering, when no effective cures existed. In epidemics pre-Crimea, she said a comforting word to the dying and closed the eyes of the dead. During the Crimean War, probably her greatest kindness was to serve hot tea and lemonade to cold, suffering soldiers awaiting transport to hospital on the wharf at Balaclava. She deserves much credit for rising to the occasion, but her tea and lemonade did not save lives, pioneer nursing or advance health care.

However, historians maintain that claims that Seacole only served “tea and lemonade” do a disservice to the tradition of Jamaican “doctresses”, such as Seacole’s mother, Cubah Cornwallis, Sarah Adams and Grace Donne, who nursed and cared for Jamaica’s wealthiest planter of the 18th century, Simon Taylor. They all used herbal remedies and hygienic practices in the late eighteenth century, long before Nightingale took up the mantle. Social historian Jane Robinson argues in her book Mary Seacole: The Black Woman who invented Modern Nursing that Seacole was a huge success, and she became known and loved by everyone from the rank and file to the royal family.[87][88] Mark Bostridge points out that Seacole’s experience far outstripped Nightingale’s, and that the Jamaican’s work comprised preparing medicines, diagnosis, and minor surgery.[89] The Times war correspondent William Howard Russell spoke highly of Seacole’s skill as a healer, writing “A more tender or skilful hand about a wound or a broken limb could not be found among our best surgeons.”[90]

Back in London, 1856–60

After the end of the war, Seacole returned to England destitute and in poor health. In the conclusion to her autobiography, she records that she “took the opportunity” to visit “yet other lands” on her return journey, although Robinson attributes this to her impecunious state requiring a roundabout trip. She arrived in August 1856 and opened a canteen with Day at Aldershot, but the venture failed through lack of funds.[91] She attended a celebratory dinner for 2,000 soldiers at Royal Surrey Gardens in Kennington on 25 August 1856, at which Nightingale was chief guest of honour. Reports in The Times on 26 August and News of the World on 31 August indicate that Seacole was also fêted by the huge crowds, with two “burly” sergeants protecting her from the pressure of the crowd. However, creditors who had supplied her firm in Crimea were in pursuit. She was forced to move to 1, Tavistock Street, Covent Garden in increasingly dire financial straits. The Bankruptcy Court in Basinghall Street declared her bankrupt on 7 November 1856.[92] Robinson speculates that Seacole’s business problems may have been caused in part by her partner, Day, who dabbled in horse trading and may have set up as an unofficial bank, cashing debts.[93]4


At about this time, Seacole began to wear military medals. These are mentioned in an account of her appearance in the bankruptcy court in November 1856.[94] A bust by George Kelly, based on an original by Count Gleichen from around 1871, depicts her wearing four medals, three of which have been identified as the British Crimea Medal, the French Légion d’honneur and the Turkish Order of the Medjidie medal. Robinson says that one is “apparently” a Sardinian award (Sardinia having joined Britain and France in supporting Turkey against Russia in the war).[94] The Jamaican Daily Gleaner stated in her obituary on 9 June 1881 that she had also received a Russian medal, but it has not been identified. However, no formal notice of her award exists in the London Gazette, and it seems unlikely that Seacole was formally rewarded for her actions in Crimea; rather, she may have bought miniature or “dress” medals to display her support and affection for her “sons” in the Army.[94][95]

Seacole’s plight was highlighted in the British press.[4] As a consequence a fund was set up, to which many prominent people donated money, and on 30 January 1857, she and Day were granted certificates discharging them from bankruptcy.[96] Day left for the Antipodes to seek new opportunities,[97] but Seacole’s funds remained low. She moved from Tavistock Street to cheaper lodgings at 14 Soho Square in early 1857, triggering a plea for subscriptions from Punch on 2 May.[98] However, in Punch‘s 30 May edition, she was heavily criticised for a letter she sent begging her favorite magazine, which she claimed to have often read to her British Crimean War patients, to assist her in gaining donations. After quoting her letter in full the magazine provides a satiric cartoon of the activity she describes, captioned “Our Own Vivandière,” describing Seacole as a female sutler. The article observes: “It will be evident, from the foregoing, that Mother Seacole has sunk much lower in the world, and is also in danger of rising much higher in it, than is consistent with the honour of the British army, and the generosity of the British public.” While urging the public to donate, the commentary’s tone can be read as ironic: “Who would give a guinea to see a mimic-sutler woman, and a foreigner, frisk and amble about on the stage, when he might bestow the money on a genuine English one, reduced to a two-pair back, and in imminent danger of being obliged to climb into an attic?”[99]

In researching his biography of Florence Nightingale, the first major biography in fifty years, Mark Bostridge uncovered a letter in the archive at the home of Nightingale’s sister Parthenope, which showed that Nightingale had made a contribution to Seacole’s fund, indicating that she saw value at that time in Seacole’s work in the Crimea.[100] Further fund-raising and literary mentions kept Seacole in the public eye. In May 1857 she wanted to travel to India, to minister to the wounded of the Indian Rebellion of 1857, but she was dissuaded by both the new Secretary of War, Lord Panmure,[101] and her financial troubles.[102] Fund-raising activities included the “Seacole Fund Grand Military Festival”, which was held at the Royal Surrey Gardens, from Monday 27 July to Thursday 30 July 1857. This successful event was supported by many military men, including Major General Lord Rokeby (who had commanded the 1st Division in Crimea) and Lord George Paget; more than 1,000 artists performed, including 11 military bands and an orchestra conducted by Louis Antoine Jullien, which was attended by a crowd of circa 40,000.[103] The one-shilling entrance charge was quintupled for the first night, and halved for the Tuesday performance. However, production costs had been high and the Royal Surrey Gardens Company was itself having financial problems. It became insolvent immediately after the festival, and as a result Seacole only received £57, one quarter of the profits from the event. When eventually the financial affairs of the ruined Company were resolved, in March 1858, the Indian Mutiny was over.[104] Writing of his 1859 journey to the West Indies, the British novelist Anthony Trollope described visiting Mrs. Seacole’s sister’s hotel in Kingston in his The West Indies and the Spanish Main (Chapman & Hall, 1850). Besides remarking on the pride of the servants and their firm insistence that they be treated politely by guests, Trollope remarked that his hostess, “though clean and reasonable in her charges, clung with touching tenderness to the idea that beefsteak and onions, and bread and cheese and beer, comprised the only diet proper to an Englishman.”[105]

Wonderful Adventures of Mrs. Seacole in Many Lands

A 200-page autobiographical account of her travels was published in July 1857 by James Blackwood as Wonderful Adventures of Mrs. Seacole in Many Lands, the first autobiography written by a black woman in Britain.[106] Priced at one shilling and six pence (1/6) a copy, the cover bears a striking portrait of Seacole in red, yellow and black ink.[107] Robinson speculates that she dictated the work to an editor, identified in the book only as W.J.S., who improved her grammar and orthography.[108] In the work Seacole deals with the first 39 years of her life in one short chapter.[109] She then expends six chapters on her few years in Panama, before using the following 12 chapters to detail her exploits in Crimea. She avoids mention of the names of her parents and precise date of birth. In the first chapter, she talks about how her practice of medicine began on animals, such as cats and dogs. Most of the animals caught diseases from their owners, and she would cure them with homemade remedies.  Within the book, Mrs. Seacole discusses how when she returned from the Crimean War she was poor, whereas others in her same position returned to England rich. Mrs. Seacole shares the respect she gained from the men in the Crimean War. The soldiers would refer to her as “mother” and would ensure her safety by personally guarding her on the battlefield. A short final “Conclusion” deals with her return to England, and lists supporters of her fund-raising effort, including Rokeby, Prince Edward of Saxe-Weimar, the Duke of Wellington, the Duke of Newcastle, William Russell, and other prominent men in the military. Also within the Conclusion, she describes all of her career adventures experienced in the Crimean War as pride and pleasure. The book was dedicated to Major-General Lord Rokeby, commander of the First Division. In a brief preface, the Times correspondent William Howard Russell wrote, “I have witnessed her devotion and her courage … and I trust that England will never forget one who has nursed her sick, who sought out her wounded to aid and succour them and who performed the last offices for some of her illustrious dead.”[110][111]

The Illustrated London News received the autobiography favorably agreeing with the statements made in the preface “If singleness of heart, true charity and Christian works — of trials and sufferings, dangers and perils, encountered boldly by a helpless women on her errand of mercy in the camp and in the battlefield can excite sympathy or move curiosity, Mary Seacole will have many friends and many readers”.[85]

In 2017 Robert McCrum chose it as one of the 100 best nonfiction books, calling it “gloriously entertaining”.[112]

Later life, 1860–81

Seacole joined the Roman Catholic Church circa 1860, and returned to Jamaica[113] changed in her absence as it faced economic downturn.[114] She became a prominent figure in the country. However, by 1867 she was again running short of money, and the Seacole fund was resurrected in London, with new patrons including the Prince of Wales, the Duke of Edinburgh, the Duke of Cambridge, and many other senior military officers. The fund burgeoned, and Seacole was able to buy land on Duke Street in Kingston, near New Blundell Hall, where she built a bungalow as her new home, plus a larger property to rent out.[115]

By 1870, Seacole was back in London, living at 40 Upper Berkley St., St. Marylebone.[116] Robinson speculates that she was drawn back by the prospect of rendering medical assistance in the Franco-Prussian War.[117] It seems likely that she approached Sir Harry Verney (the husband of Florence Nightingale’s sister Parthenope) Member of Parliament for Buckingham who was closely involved in the British National Society for the Relief of the Sick and Wounded. It was at this time Nightingale wrote her letter to Verney insinuating that Seacole had kept a “bad house” in Crimea, and was responsible for “much drunkenness and improper conduct”.[118]

In London, Seacole joined the periphery of the royal circle. Prince Victor (a nephew of Queen Victoria; as a young Lieutenant he had been one of Seacole’s customers in Crimea)[72] carved a marble bust of her in 1871 that was exhibited at the Royal Academy summer exhibition in 1872. Seacole also became personal masseuse to the Princess of Wales who suffered with white leg and rheumatism.[119]

In the census of 3 April 1881, Seacole is listed as a boarder at 3 Cambridge Street, Paddington.[120] Seacole died on 14 May 1881 at her home, 3 Cambridge Street (later renamed Kendal Street) in Paddington, London;[121] the cause of death was noted as “apoplexy“. She left an estate valued at more than £2,500. After some specific legacies, many of exactly 19 guineas, the main beneficiary of her will was her sister, (Eliza) Louisa. Lord Rokeby, Colonel Hussey Fane Keane, and Count Gleichen (three trustees of her Fund) were each left £50; Count Gleichen also received a diamond ring, said to have been given to Seacole’s late husband by Lord Nelson.[122] A short obituary was published in The Times on 21 May 1881. She was buried in St. Mary’s Roman Catholic Cemetery, Harrow Road, Kensal Green, London.

Recognition

While well known at the end of her life, Seacole rapidly faded from public memory in Britain. She was cited as an example of “hidden” black history in Salman Rushdie‘s The Satanic Verses (1988), like Olaudah Equiano: “See, here is Mary Seacole, who did as much in the Crimea as another magic-lamping lady, but, being dark, could scarce be seen for the flame of Florence’s candle.”[123]

She has been better remembered in Jamaica, where significant buildings were named after her in the 1950s: the headquarters of the Jamaican General Trained Nurses’ Association was christened “Mary Seacole House” in 1954, followed quickly by the naming of a hall of residence of the University of the West Indies in Mona, Jamaica,[124] and a ward at Kingston Public Hospital was also named in her memory.[125] More than a century after her death, Seacole was posthumously awarded the Jamaican Order of Merit in 1990.[126]

Her grave in London was rediscovered in 1973; a service of reconsecration was held on 20 November 1973, and her gravestone was also restored by the British Commonwealth Nurses’ War Memorial Fund and the Lignum Vitae Club. Nonetheless, when scholarly and popular works were written in the 1970s about the Black British presence in Britain, she was absent from the historical record,[127] and went unrecorded by Dominican-born scholar Edward Scobie[128] and Nigerian historian Sebastian Okechukwu Mezu.[129]

The centenary of her death was celebrated with a memorial service on 14 May 1981 and the grave is maintained by the Mary Seacole Memorial Association,[124] an organization founded in 1980 by Jamaican-British Auxiliary Territorial Service corporal, Connie Mark.[130] An English Heritage blue plaque was erected by the Greater London Council at her residence in 157 George Street, Westminster, on 9 March 1985,[131] but it was removed in 1998 before the site was redeveloped.[131] A “green plaque” was unveiled at 147 George Street, in Westminster, on 11 October 2005.[131] However, another blue plaque has since been positioned at 14 Soho Square, where she lived in 1857.[131]

By the 21st century, Seacole was much more prominent. Several buildings and entities, mainly connected with health care, were named after her. In 2005, British politician Boris Johnson wrote of learning about Seacole from his daughter’s school pageant and speculated: “I find myself facing the grim possibility that it was my own education that was blinkered.”[132] In 2007 Seacole was introduced into the National Curriculum, and her life story is taught at many primary schools in the UK alongside that of Florence Nightingale.[133]

She was voted into first place in an online poll of 100 Great Black Britons in 2004 carried out by the website Every Generation.[134][135] The portrait identified as Seacole in 2005 was used for one of ten first-class stamps showing important Britons, to commemorate the 150th anniversary of the National Portrait Gallery.[136]

British buildings and organisations now commemorate her by name. One of the first was the Mary Seacole Centre for Nursing Practice at Thames Valley University,[137] which created the NHS Specialist Library for Ethnicity and Health, a web-based collection of research-based evidence and good practice information relating to the health needs of minority ethnic groups, and other resources relevant to multi-cultural health care. There is another Mary Seacole Research Centre, this one at De Montfort University in Leicester,[138] and a problem-based learning room at St George’s, University of London is named after her. Brunel University in West London houses its School of Health Sciences and Social Care in the Mary Seacole Building. New buildings at the University of Salford and Birmingham City University bear her name, as does part of the new headquarters of the Home Office at 2 Marsham Street.[139] There is a Mary Seacole ward in the Douglas Bader Centre in Roehampton. There are two wards named after Mary Seacole in Whittington Hospital in North London, and also, there is the Mary Seacole Nursing Home, situated at 39 Nuttall Street, Shoreditch. The Royal South Hants Hospital in Southampton named its outpatients’ wing “The Mary Seacole Wing” in 2010, in honour of her contribution to nursing.[140] The NHS Seacole Centre in Surrey was opened on 4 May 2020, following a campaign led by Patrick Vernon, a former NHS manager. It is a community hospital which will first provide a temporary rehabilitation service for patients recovering from Covid-19. The building was previously called Headley Court.[141]

An annual prize to recognise and develop leadership in nurses, midwives and health visitors in the National Health Service was named Seacole,[142] to “acknowledge her achievements”. The NHS Leadership Academy has developed a six-month leadership course called the Mary Seacole Programme, which is designed for first time leaders in healthcare.[143] An exhibition to celebrate the bicentenary of her birth opened at the Florence Nightingale Museum in London in March 2005. Originally scheduled to last for a few months, the exhibition was so popular that it was extended to March 2007.[144]

A campaign to erect a statue of Seacole in London was launched on 24 November 2003, chaired by Clive Soley, Baron Soley.[145][146] The design of the sculpture by Martin Jennings was announced on 18 June 2009.[147] There was significant opposition to the siting of the statue at the entrance of St Thomas’ Hospital,[148] but it was unveiled on 30 June 2016.[149] The words written by Russell in The Times in 1857 are etched on to Seacole’s statue: “I trust that England will not forget one who nursed her sick, who sought out her wounded to aid and succour them, and who performed the last offices for some of her illustrious dead.”[150]

A biopic of her life was proposed in 2019 by Racing Green Pictures and producer Billy Peterson, with Gugu Mbatha-Raw as Mary Seacole. It was intended to release the film in 2020.[151] A short animation about Mary Seacole was adapted from a book entitled Mother Seacole, published in 2005 as part of the bicentenary celebrations. Seacole is featured in BBC’s Horrible Histories, where she is portrayed by Dominique Moore. Viewer complaints about the show led the BBC Trust to conclude that the episode’s portrayal of “racial issues was materially inaccurate”.[152]

A two-dimensional sculpture of Seacole was erected in Paddington in 2013.[153] On 14 October 2016, Google celebrated her with a Google Doodle.[154]

Controversy

Seacole’s recognition has been controversial. It has been argued that she has been promoted at the expense of Florence Nightingale.[148] Sociology professor Lynn McDonald has written that “…support for Seacole has been used to attack Nightingale’s reputation as a pioneer in public health and nursing.”[155] There was opposition to the siting of a statue of Mary Seacole at St Thomas’ Hospital on the grounds that she had no connection with this institution, whereas Florence Nightingale did. Sean Lang has stated that she “does not qualify as a mainstream figure in the history of nursing”,[156] while a letter to The Times from the Florence Nightingale Society and signed by members including historians and biographers asserted that “Seacole’s battlefield excursions … took place post-battle, after selling wine and sandwiches to spectators. Mrs Seacole was a kind and generous businesswoman, but was not a frequenter of the battlefield “under fire” or a pioneer of nursing.”[157] An article by Lynn McDonald in The Times Literary Supplement asked “How did Mary Seacole come to be viewed as a pioneer of modern nursing?”, comparing her unfavourably with Kofoworola Pratt who was the first black nurse in the NHS, and concluded “She deserves much credit for rising to the occasion, but her tea and lemonade did not save lives, pioneer nursing or advance health care”.[158]

Jennings has suggested that Seacole’s race has played a part in the resistance by some of Nightingale’s supporters.[150] The American academic Gretchen Gerzina has also affirmed this theory, claiming that many of the supposed criticisms leveled at Seacole are due to her race.[159]

Seacole’s name appears in an appendix to the Key Stage 2 National Curriculum, as an example of a significant Victorian historical figure. There is no requirement that teachers include Seacole in their lessons.[133] At the end of 2012 it was reported that Mary Seacole was to be removed from the National Curriculum. Opposing this, Greg Jenner, historical consultant to Horrible Histories, has stated that while he thought her medical achievements may have been exaggerated, removing Seacole from the curriculum would be a mistake.[160] Susan Sheridan has argued that the leaked proposal to remove Seacole from the National Curriculum is part of “a concentration solely on large-scale political and military history and a fundamental shift away from social history.”[161] Many commentators do not accept the view that Seacole’s accomplishments were exaggerated. British social commentator Patrick Vernon has opined that many of the claims that Seacole’s achievements were exaggerated have come from an establishment that is determined to suppress and hide the black contribution to British history.[157] Helen Seaton claims that Nightingale fitted the Victorian ideal of a heroine more than Seacole, and that Seacole managing to overcome racial prejudice makes her “a fitting role model for both blacks and non-blacks”.[40] In The Daily Telegraph, Cathy Newman argues that Michael Gove‘s plans for the new history curriculum “could mean the only women children learn anything about will be queens”.[162]

In January 2013 Operation Black Vote launched a petition to request Education Secretary Michael Gove to drop neither her nor Olaudah Equiano from the National Curriculum.[163][164] Rev. Jesse Jackson and others wrote a letter to The Times protesting against the mooted removal of Mary Seacole from the National Curriculum.[165][166] This was declared successful on 8 February 2013 when the DfE opted to leave Seacole on the curriculum.[167]

In popular culture

Seacole was portrayed by actress Sara Powell in a 2021 episode of the BBC science fiction drama Doctor Who titled “War of the Sontarans“, alongside Jodie Whittaker as the 13th Doctor.[168]

https://en.wikipedia.org/wiki/Mary_Seacole

Black History 365: John Holyfield

We are highlighting examples of Black excellence throughout the year! Feel free to send us suggestions!

Art That Celebrates the Beauty of the African-American Spirit

A native of Clarksburg, West Virginia, John Holyfield was orphaned and reared by his grandmothers. With an interest in art through grade school, Holyfield was encouraged by teachers, family and friends to continue his studies at Howard University and the University of D.C. to major in graphic design. In school, John Holyfield’s interests switched from graphic design to fine arts.

“I feel very fortunate to have found my “purpose” in life at such an early age. My art is truly an extension of myself…my voice. My goal is to reaffirm every positive aspect of being African-American by focusing on our families, our spirituality and our heritage and traditions. I believe that every race can relate because, in essence, I am shining a light on the beauty of being human.” John Holyfield’s artwork will evoke fond memories of your life’s experiences, and hopefully they will influence the young minds and hearts of generations to come.

http://www.holyfieldstudio.com

Black History 365: Leroy Cummins

We are highlighting examples of Black excellence throughout the year! Feel free to send us suggestions!

At 5 a.m. each day, 70 year-old Leroy Cummins can be found running the streets of Brooklyn. He has been an avid runner since the late ’60s and runs close to 50 miles a week. This Sunday, Cummins will be running his first New York City Marathon and is elated to be checking this item off his bucket list.

Training towards this goal has changed Cummins’ life. He is a diabetic and used to have sugar levels that were “off the books.” Diabetes runs in his family. Cummins was faced with immense loss after his mother and two of his sisters passed aways from the disease. He said exercise gave him the strength and knowledge to watch his weight, eat nutritiously and take care of his health. In fact, he no longer needs to take medication for his diabetes.

Beyond the physical benefits, Cummins’ relies on running for his mental health. Ironically, he views running as an opportunity to relax, equating it to “brushing my teeth in the morning.” After hitting the road, Cummins feels like he can “conquer the whole world.”

Cummins has been a “Strider” for about three years. New York Road Runner Striders is a free walking and fitness program that helps seniors get active, stay fit and improve their health. Cummins hopes to encourage folks around his age to keep exercising and prioritizing their wellbeing, proving that you can be an athlete at any age. As he gears up for 26.2 miles, he hopes other seniors will feel encouraged enough to say, “If Leroy can do it, maybe I can do it just as well, or at least get started.”

While the goal for Cummins’ is to pace himself and “finish the task at hand,’’ he is expected to do so at a remarkable time. Back in 2018, he ran the Brooklyn Half Marathon at a 7:37-mile pace, coming in fourth for his age group.

For Cummins, running this marathon is “bigger than the birthday.” He views it as a huge celebration that his family, friends and dog, Ginger, will attend. Cummins says there will be a “posse” along the sidelines to cheer him on and take lots of pictures.

https://www.yahoo.com/now/70-years-old-leroy-cummins-173526534.html

Black History 365: Adzigbli “Nana” Ama Comfort

We are highlighting examples of Black excellence throughout the year! Feel free to send us suggestions!

Meet the Black Woman Entrepreneur Whose Dad Trained Her to Be a Carpenter

Adzigbli “Nana” Ama Comfort, a furniture architect and designer from Ghana, has become famous for her skills and creativity in the field of carpentry – a male dominated industry. Her dad trained her before he died, and now she is the CEO and founder of Namas Decor GH – one of the fastest growing furniture design shops in the world! (Based in San Diego, CA)


Nana, who is from Ghana, has always dreamed of becoming a lawyer since she was a young child. As a young adult, she also experimented with various career opportunities in modeling, acting, being a television personality, and marketing but she felt like those could not give her the satisfaction she wanted or even generate enough profit for her and her family.

That’s when she remembered what her father told her before he died. “He said that I will never be successful in any career aside carpentry,” she said in an interview with Ghanian blogger, Edward Asare. “He said I was born to lead the feminine generation into creativity.”

That’s when she decided to venture into carpentry with the knowledge and training she received from helping her father, who was a carpenter himself. She now runs one of the fastest growing carpentry and furniture design shops in the world.

For more information about Namas Decor GH, visit her company’s official web site or follow her on Instagram @namas_decor

https://www.blackbusiness.com/2020/05/black-woman-entrepreneur-dad-trained-her-to-be-a-carpenter.html

Black History 365: Yusef Komunyakaa

We are highlighting examples of Black excellence throughout the year! Feel free to send us suggestions!

Yusef Komunyakaa was born in Bogalusa, Louisiana. The son of a carpenter, Komunyakaa has said that he was first alerted to the power of language through his grandparents, who were church people: “the sound of the Old Testament informed the cadences of their speech,” Komunyakaa has stated. “It was my first introduction to poetry.” Komunyakaa went on to serve in the Vietnam War as a correspondent; he was managing editor of the Southern Cross during the war, for which he received a Bronze Star. He earned a BA from the University of Colorado Springs on the GI Bill, an MA from Colorado State University, and an MFA from the University of California-Irvine.

In his poetry, Yusef Komunyakaa weaves together personal narrative, jazz rhythms, and vernacular language to create complex images of life in peace and in war. In the New York Times, Bruce Weber described Komunyakaa as “Wordsworthian,” adding that the poet has a “worldly, philosophic mind… His poems, many of which are built on fiercely autobiographical details—about his stint in Vietnam, about his childhood—deal with the stains that experience leaves on a life, and they are often achingly suggestive without resolution.”

Komunyakaa’s early work includes the poetry collections Dedications & Other Darkhorses (1977) and Lost in the Bonewheel Factory (1979). Widespread recognition came with the publication of Copacetic (1984), which showcased what would become his distinctive style: vernacular speech layered with syncopated rhythms from jazz traditions. His next book I Apologize for the Eyes in My Head (1986) won the San Francisco Poetry Center Award; Dien Cai Dau (1988), a book that treated his experience in the Vietnam War in stark and personal terms, won the Dark Room Poetry Prize. It is regularly described as one of the best books of war poetry from the Vietnam War. The title means “crazy” in Vietnamese and was used by locals to refer to American soldiers fighting in their country. The collection explores the experience of African American soldiers in the war as well as captures the embattled Southeast Asian landscape. In the New York Times Book Review, Wayne Koestenbaum remarked that Komunyakaa’s casual juxtaposition of nature and war belied the artistry at work. “Though his tersely-phrased chronicles, like documentary photographs, give us the illusion that we are facing unmediated reality, they rely on a predictable though powerful set of literary conventions.” Koestenbaum added, “The book works through accretion, not argument; the poems are all in the present tense, which furthers the illusion that we are receiving tokens of a reality untroubled by language.”

Komunyakaa’s Neon Vernacular: New and Selected Poems (1994) won the Kingsley Tufts Poetry Award and the Pulitzer Prize. In the collection, Komunyakaa pulls together all of the most powerful strands of his poetic vision. The images are those of the South and its culture, of Black resilience to white supremacy, of war in Southeast Asia, of urban experience, and of musical forms such as blues and jazz. The language is simple, laid out in short lines. As Robyn Selman put it in a Voice Literary Supplement review, “Most of Yusef Komunyakaa’s poems rise to a crescendo, like that moment in songs one or two beats before the bridge, when everything is hooked-up, full-blown.”

Komunyakaa’s other works include Warhorses (2008); Taboo: The Wishbone Trilogy, Part 1 (2006); Pleasure Dome: New & Collected Poems, 1975-1999 (2001); Talking Dirty to the Gods (2000); and Thieves of Paradise (1998), which was a finalist for the National Book Critics Circle Award. His most recent collections of poetry include The Chameleon Couch (2011), Testimony: A Tribute to Charlie Parker (2013), Emperor of Water Clocks (2015), and Everyday Mojo Songs of the Earth: New and Selected Poems (2021). He is the author of the verse play Gilgamesh: A Verse Play (2006) and in collaboration with composer T.J. Anderson the opera libretto Slip Knot.

In 2011 Komunyakaa was awarded the Wallace Stevens Award. He is the recipient of numerous honors and awards including the Ruth Lilly Poetry Prize, the William Faulkner Prize from the Université de Rennes, the Thomas Forcade Award, the Hanes Poetry Prize, and fellowships from the Fine Arts Work Center in Provincetown, the Louisiana Arts Council, and the National Endowment for the Arts. He served as Chancellor of the Academy of American Poets from 1999-2005. He has taught at numerous institutions including University of New Orleans, Indiana University, and Princeton University. Currently he serves as Distinguished Senior Poet in New York University’s graduate creative writing program.

https://www.poetryfoundation.org/poets/yusef-komunyakaa

Black History 365: Naia Kete

We are highlighting examples of Black excellence throughout the year! Feel free to send us suggestions!

One original song every week

Published: 2/21/2020 8:42:11 AM Modified: 2/21/2020 8:41:59 AM

Many of us make New Year’s resolutions, but we’ve usually given up on them by the time Groundhog Day arrives. That’s not been the case with the urban reggae group SayReal. The band vowed that in 2020 it would release a new song every Friday on Soundcloud and on its Facebook page. The group also vowed to make sure the song on Facebook would also have an accompanying video. That’s right: 52 original songs in one year.

It’s an ambitious project that is taking a lot of work, but it has paid off, as the band has found a new way to engage with its audience, all the while keeping the focus on the music and the messages within it.

Listeners will get a chance to hear some of these new songs played live when SayReal and Rebelle perform at the Perch at Hawks and Reed Performing Arts Center on 289 Main St. tomorrow night, Feb. 21, at  7:30 p.m. (performance took place in 2020)

SayReal is based in Los Angeles but has roots are here in the Pioneer Valley, where the group has been visiting for the past couple of months. The group is led by Naia Kete, who was born in Northampton and lived in various parts of Western Massachusetts including Shutesbury and Leverett when she was growing up. She is the group’s lead vocalist, lyricist and bassist. She is joined in SayReal by her younger brother, Imani Elijah on keyboards and drums, and her longtime boyfriend, Lee John on drums and guitar. 

The daughter of musicians, Kete has been making music with her family including Imani for as long as she can remember. She got her musical start singing with her family’s reggae band the Black Rebels, which became Rebelle and is led by her mother, Kalpana Devi and step-father, Emmanuel Manou. Kete later launched a solo career and started performing at various local venues. Her backing band included Imani and about 12 years ago, she met Lee John, who joined her band. Like Kete and her brother, John’s parents are musicians. His father is guitarist Earl Slick, best known for his work with David Bowie, and his mom is Jean Millington, who co-founded the band Fanny with her sister Institute for the Musical Arts co-founder June Millington.

Not long after John started working with Kete, the three musicians moved to California and started busking on the streets. Kete’s powerful, expressive voice landed her on the second season of The Voice, where she made it to the top 24 on Team Blake. The group continued to make music under her name, but after musician/ producer Randy Jackson confronted her after a gig and pointed out that the music was bigger than her, she got to thinking about forming a proper band. 

“I asked Lee and Imani ‘how about would you feel about being a band?’” said Kete in a recent phone conversation. “Because the music never was about me. The music that I love to perform is sparking personal musical and cultural evolution, and we are all on board with that.” 

Kete said the band works because they are a family, and theirs is an egoless collaboration where they give each other the freedom to express themselves however they want. 

SayReal released its full-length debut “Unarmed and Ready” in September. The group released four singles from the project, prior to its official release, and noticed that with each songs release came a spark in activity – everything from increased plays on Spotify to more activity on Facebook. “So we thought the more we release the more we have the opportunity to gain more fans and grow our community,” said Kete about one of the ideas that sparked the 52 releases project.

The fact that this project would allow them to dig deeper into the content and message of the music also made it appealing. Kete said, however, that what really appealed to her most about the idea was that it was a way that SayReal could help combat all the hatred and division that is so prevalent these days, especially on social media. 

“The thing that I love about music is that it inspires this feeling of awe and wonderment,” she said.  “I really wholeheartedly feel that the right song has the opportunity to open a person’s heart and change a person’s mind in an instant. It really is a universal language, so for me, 52 songs is 52 opportunities to do just that: to open people’s hearts, and for all of us to be able to find common ground and speak a common language.” Support the Recorder. Subscribe Today

So far, the songs they have released is a diverse bunch that range from the love song “Take it Slow,” released last week in honor of Valentine’s Day, to “Photograph,” a tune that explores the current obsession with snapping pictures to post on social media. While all of RealSay’s music is rooted in reggae, rock, pop and soul sounds can be heard in their work, all the while the message remains positive and life-affirming.

In the accompanying videos, the band shares a behind-the-scenes look at their songwriting process and the meaning behind some of the songs. 

Some of the songs were written before the start of the year and others they are writing now specifically for this series.

“I’ve been working harder than I ever have before, but it’s a welcomed challenge and the kind of work I believe in,” said Kete, adding that at only two months in, she’s not sure where the project will ultimately go. “Who knows? It could be a new business model for us. It is all an experiment.”

SayReal is also in the midst of running a GoFundMe campaign to help finance a new tour van. And, Kete has other side projects: she works as a life coach supporting women in weight loss, fitness, relationship goals and more. She’s also launched an online project through which she is encouraging women to play bass and posts a video online every Monday of her playing the bass lines of the new songs. 

“It started when I was vocal coaching at IMA (the Institute for the Musical Arts in Goshen) last summer,” Kete said. “I was so inspired by female musicians, and would like to see more of them,  particularly in reggae music, so it became my mission to encourage more women to play bass.”

But SayReal’s greatest passion remains playing live and inspiring fans with messages of empowerment and positivity. 

“It’s about being honest and transparent about all the emotions and feelings and experiences that life has to offer — whether that is on a personal level, in a relationship or something happening in politics or in our culture,” Kete said. “It is just being real and honest about sharing your perspective and sharing your heart — so that is what I try and do in my music.”

For music, visit sayrealmusic/freemusic.com

Sheryl Hunter is a music writer who lives in Easthampton. Her work has appeared in various regional and national magazines. You can contact her at soundslocal@yahoo.com.

https://www.recorder.com/Sounds-Local-32791223

Black History 365: Jimmie Allen

We are highlighting examples of Black excellence throughout the year! Feel free to send us suggestions!

This is part a series of features from All Things Considered on first-time Grammy nominees, ahead of the April 3 awards. You can read and listen to profiles on Saweetie, Arooj Aftab and Barlow & Bear.


Amid the thunderous echo of pins colliding, Jimmie Allen unspools his professional ambitions.

He has already created his own production company, written a children’s book and been the executive music producer for a Netflix show, but he wants to do a stint on Broadway as Aaron Burr. He wants to start his own clothing line. He wants to open a charter music school with a curriculum that doesn’t revolve around testing. He wants to do a reality TV show with his wife. He wants to train as a WWE wrestler. And he has this idea for a sitcom.

“In my head, it’s kind of about me moving from Delaware to Nashville,” Allen says. “It’s kind of like a comedy, and it plays on racial stereotypes a lot. It’s pretty much saying what everybody is thinking, but afraid to say.”

The 36-year-old country musician, nominated for Best New Artist at this year’s Grammy Awards, is sitting down in Tusculum Strike & Spare in Nashville, Tenn. Over the last few years, he’s become something of a regular, dropping by several times a week for a few hours with his kids, or the friends he conscripted into a bowling league. “It’s cool here to just hang out and be around real people,” he says.

For Allen, bowling is a break from music: Both his own work and Nashville’s social scene of striving artists, which he admits he finds frustrating.

“I would just meet other people that wanted to be artists that were just mad that nothing was happening, but yet they weren’t doing anything to make anything happen, either,” he says. “They would just go get drunk at night, work during the day, go get drunk — so you don’t want it.”

Even at bowling, Allen puts in the work. He says his average has jumped steadily: 110 to 125 to 130, 160 after joining a few leagues, now around 190.

“Once I start something, I get obsessed with it to where I want to get better,” he says. “I’m super competitive.”

Turns out, so is his 7-year-old son, who loves bowling even if his dad won’t let him put up the bumpers like other kids.

“Ain’t no bumpers in life,” Allen says. Instead, he’s been teaching his son that if you don’t want your bowl to end up in the gutter, you have to put in the work and learn to control where the ball goes.

It’s easy to trace Allen’s competitive nature and self-assuredness to the influence of his parents, who he says “never hit me with the whole, ‘Well, you should have a backup plan.'” The Allen household didn’t believe in them.

“I told my mom when I was 5 years old I was going to be an entertainer,” he says. “And she said, ‘Yeah, you will.'”

Even if Allen’s professional ambitions stretch across film, television and theatre, music has always come first. “The goal was to do music and then, the older you get, you figure out who you are,” he says.

Who Allen is — his solid work ethic, his straightforward demeanor, his desire for something real — has been irrevocably shaped by his hometown of Milton, Del., which he calls “a little redneck town,” the kind of place surrounded by chicken plants and soybean fields, where people pick up their groceries directly from the farm. You can imagine how radio has the power to transform the many hours spent driving from one isolated locale to another from quotidian activity into a pastime.

Allen says less than a thousand people lived in Milton in the ’90s when he was growing up and “everybody listened to country music,” including his father. He remembers getting in trouble for repeatedly changing the radio station in his father’s truck every time the latter got out to buy cigarettes.

“Country music’s all my father listened to,” he says. “Nothing else.”

Allen was exposed to other genres at school, where kids played music from their Walkmans and he taught himself the vocal styles of Christian music, R&B, rock and the blues. As he got older, he says he “continued to fall in love with other genres of music but then I realized, OK, for me and who I am as a person, a country music world is for me.”

He talks about genres of music as their own languages, with unique storytelling histories and idioms. For Allen, country’s lyricism — its emphasis on family and small town life, with songs about drinking and songs about the freedom of an open road — was the language that best expressed his own life and experiences.

When he sings about rolling out to his “favorite fishin’ hole” in “Get Country,” he can name the spot — the Moose Lodge, where they’ll make him a specialty “Jimmie burger” (two patties with cheese, ketchup and Miracle Whip on each, and an egg over easy in the middle, with lettuce and extra raw onions). And he does name the spot in “Home Sweet Hometown,” an ode to Milton in which he lovingly describes its “handful of red lights down main” with its “courthouse clock not tickin'”, and he name checks real convenience store Quick Stop, where “the same old lady” makes his breakfast favorites.

“Everything that I write, I somehow tie it back into who I am and how I grew up,” he says.

Allen is coming off a banner year: He won both New Artist of the Year at the Country Music Association Awards (CMAs) and New Male Artist of the Year at the Academy of Country Music (ACM) Awards, the latter of which he hosted this year alongside Dolly Parton and Gabby Barrett. He released his sophomore album, Bettie James Gold Edition, and toured with Brad Paisley.

But Allen remembers his early years in Nashville when he’d play showcases for unsigned artists and watch other people who performed at half his level walk away with a deal at the end of the night.

“I had this one guy tell me straight up, he was like, ‘Jimmie, I like you, but I’m not sure how someone that looks like you will go over well in country music,'” he says. “And I’m like, ‘Bro, you got Charley Pride!'”

He says at the time, Pride was the only Black country artist working at a national level, the exception that proved the rule in the minds of industry gatekeepers. “It pisses me off just the way he said it,” Allen says.

“A lot of people still think that if you’re a Black person, you shouldn’t wear a certain thing or sing a certain type of music because it might not be appealing to the white listener,” he says, “Even though white artists wear the same thing and they’ve said nothing to them.”

It can be exhausting to justify your existence in a place where you belong, and Allen is candid about still fielding not-so-subtle questions about what exactly a Black man is doing in country music 15 years on. His strategy? Staring interviewers down until they either rephrase the question or move on. This is not a man who loses a game of chicken. But in 2022, there are now too many exceptions — artists like Mickey Guyton, Kane Brown, Darius Rucker, Blanco Brown, Breland, Willie Jones and Reyna Roberts — to prove the rule that country music can’t be a Black artist’s game. And the sound and scope of commercial country itself is changing to keep up, with slicker production and sonic elements like hi-hats and stuttering beat drops that nod to hip-hop’s new reign as the dominant genre in the U.S.

Ultimately, Allen, who has songs with artists like Babyface, Nelly and Pitbull alongside country mainstays Keith Urban and Tim McGraw on his album, isn’t interested in splitting hairs about genre. “What makes a country artist a country artist? It ain’t about how many fiddles and mandolins you got in your song,” he says. “It’s that you’re a country woman or country boy.”

Allen built his career through the apparatus of the country music industry, and hopes that others who look like him will see his success and know that they can do it, too.

“I tell people all the time: Come on over to country music. There’s Black people in the industry over here at record labels, radio promotion, marketing, management,” he says. “We get more people of color over here by more people of color coming.”

Allen sincerely believes that country is “a genre of music that is for everyone,” and although it shouldn’t be his responsibility to change anyone’s mind, his success and nomination as a the only country artist in a general music Grammy category might help tear some stuffing out of the strawman of the white country listener.

“Music is the best thing to expand your brain and help you learn to accept that people are different, that things are different, and what you might be afraid of because it’s different might actually be something you might love,” he says.

There’s still so much Allen wants to do, with his aspirational list of collaborators stretching far beyond the gates of Nashville. His heart, after all, has always belonged a little closer to home.

You can leave your hometown, but it never leaves you. For Allen, music may be a universal language that transcends backgrounds, but country music has its own private magic.

“I wish I could go back to those days, when the town was the whole world,” he sings on the rose-tinted single “Freedom Was A Highway.”

In that song’s music video, Allen finds a glowing guitar on the side of a wooded road; he uses it to breathe a band into existence and reminisce about the youthful opportunism of his teenage years in Milton.

“When you’re seventeen and drivin’, you don’t think about the road runnin’ out,” he sings.

Allen’s road in Nashville is a long way from running out, but what they don’t tell you when you spend your youth dreaming of the road that takes you away is that the highway runs both ways. One day when all those small town memories are golden, a song will have the power to take you home.

The audio for this story was produced by Jonaki Mehta and edited by Christopher Intagliata. The article was written by Cyrena Touros.

https://www.npr.org/2022/03/17/1084137609/grammys-nominees-awards-jimmie-allen-music