Black Excellence: Liz Rogers

Meet the Founder

Executive Chef Liz Rogers grew up learning by her mother’s and grandmother’s sides, turning their wisdom into culinary artistry. She went from beloved local restaurants to founding Creamalicious in 2021—one of the first nationally distributed ice cream brands founded by an African American woman. Today, Chef Liz still crafts playfully decadent desserts that blend fresh-baked pastries with rich, velvety ice cream—rooted in heritage and made to make you smile.

Black Excellence: Earl Ransom

https://www.nofavt.org/earl-ransom

Board Member

Born and raised at RockBottom Farm, Earl Ransom is a second-generation steward of one of Vermont’s pioneering organic farms and a longtime supporter of NOFA’s mission. He returned home in 1994 to rebuild the dairy herd, certify the farm organic, and ultimately launch the Strafford Organic Creamery, which now processes all of the farm’s milk. Earl brings decades of experience in grass-based dairying, organic production, and farm leadership.

Black Excellence: Dr. Marva Tutt

https://www.drmarvatutt.org/about-dr-marva-tutt

Dr. Marva Jean Tutt is an educator of nearly 30 years, an author, a podcast host, and the founder of Learning Futures Collective.

Through The HR Educator, she helps aspiring and nontraditional Georgia educators pass the GACE and thrive in the classroom.

Through Dear Black Woman, God Said, she creates space for Black women to heal, rest, and reclaim their voices.

Her work lives at the intersection of voice, leadership, and liberation.

Black Excellence: Jorrell Lawyer-Jefferson

https://www.resiliencedancecompany.com/jorrell-lawyer-jefferson

Jorrell Lawyer-Jefferson is a choreographer and interdisciplinary artist whose work bridges contemporary dance, opera, and theatrical performance. He holds a BA in Music and an MFA in Dance with an emphasis in Choreography from Sam Houston State University. As a performer, Jorrell has worked with renowned choreographers including Jessica Lang, Tommie-Waheed Evans, Kirven Douthit-Boyd, Omar Román De Jesús, and Norbert De La Cruz III, experiences that continue to shape his choreographic approach and movement vocabulary.

Black Excellence: Melani Sanders

https://en.wikipedia.org/wiki/Melani_Sanders

Melani Sanders is an American content creator and social media influencer. She is the founder of the We Do Not Care Club, the club for women in “perimenopause, menopause and post menopause. We are putting the world on notice that we simply do not care much anymore.” The club is an international rally cry encouraging women to share their experiences about their experiences in the various stages of menopause.[1][2] Sanders has over four million followers across Instagram, TikTok, Facebook and YouTube.[3][4][5]

Black Excellence: Gloria Ford Gilmer

https://en.wikipedia.org/wiki/Gloria_Ford_Gilmer

Gloria C. Gilmer (née Ford; June 28, 1928 – August 25, 2021) was an American mathematician and educator, notable for being the first African American woman to publish a non-PhD thesis.

Gilmer was born in Baltimore, Maryland on June 28, 1928. She studied for her Bachelor of Science degree at Morgan State University,[1][2] where she was part of the class of 1949.[3] While there, she published two papers with her supervisor Luna Mishoe;[4][5][6] these were the first two research papers published by an African American woman, being published in 1956,[7][8] under her maiden name of Gloria C. Ford. She was also a student of Clarence Stephens while there.[9][3]

After receiving her MA in Mathematics at the University of Pennsylvania,[1] she went to work on ballistics research at the Aberdeen Proving Ground,[3] and later to teach at six HBCUs.[9] She studied for a PhD at the University of Wisconsin-Madison, but left after a year, later citing “a marriage, children, and the necessity to earn a living”.[9] Between 1965 and 1966, Gilmer became the first African American mathematics instructor at the Milwaukee Area Technical College and the first Black woman to teach mathematics at the University of Wisconsin–Milwaukee.[10] She subsequently gained a PhD from Marquette University,[2] in Education Administration.[9] The title of her dissertation is “Effects Of Small Discussion Groups On Self-Paced Instruction In a Developmental Algebra Course”.[11]

Black Excellence: Lucille Dixon Robertson

https://en.wikipedia.org/wiki/Lucille_Dixon_Robertson

Lucille Dixon Robertson (27 February 1923 – 23 September 2004) was a jazz double-bassist. She grew up in New York City and she successfully auditioned for the All City High School Orchestra. She studied under Frederick Zimmermann of the New York Philharmonic for 15 years.[1]

https://www.knkx.org/jazz/2023-03-04/lucille-dixons-years-of-good-music-making-as-bassist-and-bandleader

A church pianist, jazz bassist, bandleader and symphony manager, Lucille Dixon defied the norms of her time. A Black woman who played the contrabass, considered “a man’s instrument,” Dixon faced discrimination throughout her extensive music career.

Born in Harlem on Feb. 27, 1923, young Lucille Dixon played piano for her father’s church services. She picked up the bass in high school, and studied with the New York Philharmonic’s principal bassist Frederick Zimmerman.

Black Excellence: Divinity Roxx

https://en.wikipedia.org/wiki/Divinity_Roxx

Divinity Roxx (b. 1976) is a two-time Grammy-nominated American recording artist, producer, composer, musician, and author. She was born Debbie Walker to parents Beverly Walker and Raymond Walker Jr. in Atlanta, Georgia. She legally changed her name to Divinity Roxx in 2006.[1][2][3]

Divinity’s work includes elements of funk, rock, and hip-hop.[4] She has released five solo albums on her record label, IRoxx Entertainment (Ain’t No Other Way – 2003, The Roxx Boxx Experience – 2012, ImPossible – 2016, Ready Set Go! – 2021, World Wide Playdate – 2024). Both of her children’s music albums were nominated for Grammy Awards.[5][6]

Black Excellence: Bryan Washington

https://www.macfound.org/fellows/class-of-2026/bryan-washington

Bryan Washington is a fiction writer capturing the fragile beauty of modern relationships in stories shaped by place, memory, and the quiet rituals of daily care. His novels and short stories feature queer men of color and their inherited and chosen families as they live alongside one another—sometimes gently, sometimes painfully. He writes in a style that is deceptively spare, and he develops characters primarily through dialogue marked by awkward silences and questions left unanswered. Across a short story collection and three novels, Washington offers a vivid and compassionate vision of how people stumble home to one another.