Black Excellence: “Correct the Map” UN Resolution

https://www.npr.org/2026/09/04/nx-s1-5958611/africa-world-map-un-vote

LAGOS, Nigeria — The United Nations General Assembly has overwhelmingly backed a resolution aimed at changing the way Africa and other regions are represented on world maps.

The “Correct the Map” resolution, introduced by the West African country of Togo on behalf of the African Group (the 54 African member states at the U.N.) and supported by the African Union, was adopted on Friday by a vote of 164 to one, with six countries abstaining.

The United States was the only country to vote against it.

Black Excellence: Experience Unlimited (E.U.)

https://en.wikipedia.org/wiki/Experience_Unlimited

Experience Unlimited (also known as simply E.U.) is a Washington, D.C.–based go-go/funk band that enjoyed its height of popularity in the 1980s and early 1990s.[2] Fronted by lead singer/bassist Gregory “Sugar Bear” Elliot, the group has had a fluctuating membership over the years, but they have maintained a fairly loyal following.

https://www.npr.org/2026/08/27/g-s1-139808/e-u-tiny-desk-concert

At last, we have completed the Mount Rushmore of go-go music: E.U. (aka Experience Unlimited) has blessed the Desk. And the timing couldn’t be more perfect! In 2026, the official music of Washington, D.C. celebrates 50 years of heavily syncopated funk.

Black Excellence: d. Sabela grimes

d. Sabela grimes, a trans-media storyteller, sonic ARKivist, movement composer. Improvisational systems and collaboration are at the heart of his creative practice, inhaling through socio-historical observation, self-examination and speculative meanderings, exhaling through layers of interconnected sonic, visual and kinesthetic arrangements. Sabela be investing in the poetics of assemblage, the magic of mutability, mastering misuse. Past projects include Philly XP, World War WhatEver, 40 Acres & A Microchip and ELECTROGYNOUS. Sabela’s current collaborative endeavor with Meena Murugesan, Parable of Portals, dreams Butler’s professional and personal writings into live performances, audio-visual installations, site-specific short films, and interactive community activations. Each experience realizes quantum Blackness as a means to play within the nowness of recurring futures.