Black Excellence: d. Sabela grimes

d. Sabela grimes, a trans-media storyteller, sonic ARKivist, movement composer. Improvisational systems and collaboration are at the heart of his creative practice, inhaling through socio-historical observation, self-examination and speculative meanderings, exhaling through layers of interconnected sonic, visual and kinesthetic arrangements. Sabela be investing in the poetics of assemblage, the magic of mutability, mastering misuse. Past projects include Philly XP, World War WhatEver, 40 Acres & A Microchip and ELECTROGYNOUS. Sabela’s current collaborative endeavor with Meena Murugesan, Parable of Portals, dreams Butler’s professional and personal writings into live performances, audio-visual installations, site-specific short films, and interactive community activations. Each experience realizes quantum Blackness as a means to play within the nowness of recurring futures. 

Black Excellence: Dr. David Ragland

Interview with DAVID RAGLAND

R4S: David, what do you know about your family’s heritage?

DR: Well, I am originally from St Louis, Missouri. My mother is from Detroit, Michigan. My maternal grandfather was of Gullah Geechee descent, while my maternal grandmother was black and indigenous, though we don’t know from what tribe. We do have photos of her with her grandfather.

On my father’s side, we know much less. My father grew up in Tennessee where his parents were sharecroppers.

R4S: Have any stories been passed down over the generations?

DR: Yes. My paternal grandfather, Cleve Ragland Sr., died when my father was just 13. They were sharecroppers.

When he died, the white landowners claimed that money was still owed from his tenant farm. Apparently, this was very common, the white landowners claiming that the sharecroppers owed money or hadn’t fulfilled the terms of their agreement.

Now, my grandfather was a very well-respected man; besides sharecropping, he was also a blacksmith. So, we believe those accusations were fabrications.  In any case, they decided to leave Tennessee, the place where my grandfather and my aunts and uncles had all labored on the land. So, they came to St. Louis to join other family members.

Another story that comes to mind:  I interviewed my grandmother and her sister before they died, when I was a PhD student and I was looking at religious traditions.  Have you heard of ‘the moaner’s bench?’ Well, this bench was a part of West African slave traditions, a combination of traditional African spiritual practices and Christianity. The bench has a hallowed place within the church; there are chants and then miracles happen. Even my own baptism had elements of African ceremony. Those traditions are still a part of the church that my parents go to in St Louis.

https://www.nepm.org/podcast/the-fabulous-413/2026-08-20/kiblio-farm-with-susu-community-yellow-wallpaper-2-0-2020-play-word-nerd

The Kibilio Community and Farm in Leyden, Mass. is rooted in Black and queer land sovereignty, and the Afro-Indigenous healing sanctuary and farm, SUSU CommUNITY, in Newfame, Vermont draws its inspiration from Black womanism.

Black Excellence: Ben Passmore

https://en.wikipedia.org/wiki/Ben_Passmore

Ben Passmore (born 1983)[1] is an American comics artist and political cartoonist.

His book Your Black Friend was originally self-published in 2016 and then reissued by Silver Sprocket in 2018. The book is a collection of short vignettes offering the experiences of a black man in a world of white people. Your Black Friend was inspired by Black Skin, White Masks, Frantz Fanon’s 1952 book about the impacts of racism.[5] The book has been compared to the Jimbo comic strip by Gary Panter.[6] Passmore’s book won the 2017 Ignatz Award for Outstanding Comic,[7] received an Eisner Award nomination that year for Best Single-Issue,[8] and was featured on NPR’s list of 100 favorite comics and graphic novels.[9] The work has been adapted into a short animated film.[10]

Black Excellence: Yahya Abdul-Mateen II

https://en.wikipedia.org/wiki/Yahya_Abdul-Mateen_II

Yahya Abdul-Mateen II (/ˈjɑːjɑː/;[1] born July 15, 1986[2]) is an American actor. He is best known for his roles as Black Manta in the superhero films Aquaman (2018) and Aquaman and the Lost Kingdom (2023), Bobby Seale in the Netflix historical legal drama The Trial of the Chicago 7 (2020), and Morpheus / Agent Smith in The Matrix Resurrections (2021). For his portrayal of Cal Abar / Doctor Manhattan in the HBO limited series Watchmen (2019), he won a Primetime Emmy Award. He also starred in episodes of The Handmaid’s Tale (2018) and Black Mirror (2019).

He made his Broadway debut in the Suzan-Lori Parks play Topdog/Underdog for which he received a Tony Award for Best Leading Actor in a Play nomination. He has played Simon Williams / Wonder Man in media set in the Marvel Cinematic Universe, starring in the Disney+ series Wonder Man (2026), for which he was nominated for a Primetime Emmy Award.

Black Excellence: Dezi Bing

https://www.marquee.digital/role/dez-bing

Dezi is an actress, writer, voice over artist, and keynote speaker whose recent work includes starring in Shatara Michelle Ford’s sophomore film “Dreams in Nightmares,” Wig Out, written by Academy Award™ Winner for Best Picture: Tarell Alvin McCraney, and working with Jackbox Games to voice ‘the host’ of one of their newest videos games: Roomerang. Dezi was recently published in “The Root Magazine,” a digital news publication with over half a million followers on Instagram. And she also completed a year long playwriting fellowship at the John F. Kennedy Center for the Performing arts where she wrote and workshopped her first play, “The Peculiar Awakening of Riley Parker.” So honored to have worked on this wonderful project!