R4S: David, what do you know about your family’s heritage?
DR: Well, I am originally from St Louis, Missouri. My mother is from Detroit, Michigan. My maternal grandfather was of Gullah Geechee descent, while my maternal grandmother was black and indigenous, though we don’t know from what tribe. We do have photos of her with her grandfather.
On my father’s side, we know much less. My father grew up in Tennessee where his parents were sharecroppers.
R4S: Have any stories been passed down over the generations?
DR: Yes. My paternal grandfather, Cleve Ragland Sr., died when my father was just 13. They were sharecroppers.
When he died, the white landowners claimed that money was still owed from his tenant farm. Apparently, this was very common, the white landowners claiming that the sharecroppers owed money or hadn’t fulfilled the terms of their agreement.
Now, my grandfather was a very well-respected man; besides sharecropping, he was also a blacksmith. So, we believe those accusations were fabrications. In any case, they decided to leave Tennessee, the place where my grandfather and my aunts and uncles had all labored on the land. So, they came to St. Louis to join other family members.
Another story that comes to mind: I interviewed my grandmother and her sister before they died, when I was a PhD student and I was looking at religious traditions. Have you heard of ‘the moaner’s bench?’ Well, this bench was a part of West African slave traditions, a combination of traditional African spiritual practices and Christianity. The bench has a hallowed place within the church; there are chants and then miracles happen. Even my own baptism had elements of African ceremony. Those traditions are still a part of the church that my parents go to in St Louis.
https://www.nepm.org/podcast/the-fabulous-413/2026-08-20/kiblio-farm-with-susu-community-yellow-wallpaper-2-0-2020-play-word-nerd
The Kibilio Community and Farm in Leyden, Mass. is rooted in Black and queer land sovereignty, and the Afro-Indigenous healing sanctuary and farm, SUSU CommUNITY, in Newfame, Vermont draws its inspiration from Black womanism.