Black Excellence: Bobby Carter

https://www.npr.org/people/302983377/bobby-carter

Bobby Carter is the host and series producer for NPR’s Tiny Desk Concerts.

In 2014, Carter produced his first Tiny Desk concert. Since then, his work has been at the intersection of music, technology, and engagement. He turned a modest Tiny Desk celebration of Black History Month in 2021 into a cross-cultural event combining music, film, photojournalism, and commentary. Carter leveraged this template to pull new teams together to bring a multi-dimensional, multi-continent, multi-platform celebration of Black Music Month, LatinX Heritage Month, Asian American/Pacific Islander Month and Indigenous People Month.

Black Excellence: Titus Kaphar

https://en.wikipedia.org/wiki/Titus_Kaphar

Titus Kaphar is an American contemporary painter and filmmaker whose work reconfigures and regenerates art history to include African-American subjects. His paintings are held in the collections of Museum of Modern Art, Brooklyn Museum, Yale University Art Gallery, New Britain Museum of American Art, Seattle Art Museum, Mississippi Museum of Art, Virginia Museum of Fine Arts, and University of Michigan Museum of Art.[1][2][3][4][5][6]

Black Excellence: Wallace Center for Arts and Reconciliation

https://www.npr.org/sections/the-picture-show/2025/06/19/nx-s1-5439338/a-former-plantation-becomes-a-space-for-healing-art-and-reparative-history

NPR’s Picture Show spoke with Tyler Jones who is part of a narrative studio based in Birmingham called 1504. They have been collaborating with the Wallace Center for Arts and Reconciliation to recenter the stories of Black descendant communities through creative, embodied storytelling.

Black Excellence: Chi Ossé

https://council.nyc.gov/district-36

Chi Ossé is the Council Member for New York City’s 36th District, representing Bedford-Stuyvesant and North Crown Heights. He entered politics as an organizer and prominent figure in the Black Lives Matter movement. At 23 years old, Ossé was elected in 2021 as the youngest member of this Council and its only member hailing from Gen-Z.

Black Excellence: Marcus Amaker

Bio

https://www.wbur.org/hereandnow/2025/06/17/poet-laureate-charleston-church-shooting

Ten years after a white supremacist killed nine parishioners of Mother Emanuel African Methodist Episcopal Church in Charleston, South Carolina, the community is still coping with the loss and navigating the impact of the racial attack.

Marcus Amaker, the first poet laureate of Charleston, South Carolina, said many Black residents of South Carolina became afraid to go to church, a fear that lingers to this day.

“Going to church, especially for people in the south, especially for Black people in the south, has always been a safe haven,” Amaker said. “So for that to be sort of laced and infused with anxiety is a really hard thing for a lot of people to deal with, and I don’t really feel like a lot of us talk about it that much.”

Black Excellence: Tia Fuller

https://en.wikipedia.org/wiki/Tia_Fuller

Tia Fuller (born March 27, 1976) is an American saxophonist, composer, and educator, and a member of the all-female band touring with Beyoncé. Fuller is currently a faculty member in the ensembles department at Berklee College of Music.[1] Fuller was a Featured Jazz Musician in Pixar‘s animated film Soul. For the film Fuller plays an alto saxophone with a Vandoren mouthpiece for the character Dorothea Williams. The appearance of Dorothea Williams is influenced by Fuller, and the character’s speaking lines are voiced by Angela Bassett.[2]

Black Excellence: Lil Hardin Armstrong

https://en.wikipedia.org/wiki/Lil_Hardin_Armstrong

Lillian Hardin Armstrong (née Hardin; February 3, 1898 – August 27, 1971) was an American jazz pianist, composer, arranger, singer, and bandleader. She was the second wife of Louis Armstrong, with whom she collaborated on many recordings in the 1920s.[1]

Her compositions include “Struttin’ with Some Barbecue”, “Don’t Jive Me”, “Two Deuces”, “Knee Drops”, “Doin’ the Suzie-Q”, “Just for a Thrill” (which was a hit when revived by Ray Charles in 1959),[2] “Clip Joint”, and “Bad Boy” (a hit for the Jive Bombers in 1957). Armstrong was inducted into the Memphis Music Hall of Fame in 2014.[3]