Black History 365: Wendell Oliver Pruitt

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St. Louis, Missouri native Wendell Oliver Pruitt, a pioneering pilot of the 15th Air Force, was born to Elijah and Melanie Pruitt on June 20, 1920. Pruitt graduated from Sumner High School, briefly attended Stowe Teachers College (now Harris-Stowe State University), and later transferred to the historically black Lincoln University in Jefferson City, Missouri. At the time, Lincoln University was one of the three Negro colleges that conducted civil pilot training and is the institution that laid the foundation for Pruitt’s short-lived career.

While a student at Lincoln, Pruitt obtained his private pilot license from Jefferson City Airport. He graduated from Lincoln in 1941 and was accepted into the U.S. Army Air Corps Flying School at Tuskegee, Alabama. Upon completion of pre-flight training and gunnery school as well as primary, basic, and advanced flying, Pruitt was commissioned second lieutenant in December 1942. He was assigned to the 302nd squadron, which was designated as the 332nd Fighter Group. He teamed up with Lt. Col. Lee A. Archer Jr., a member of the Tuskegee Airmen who piloted aircraft during WWII, to form the “Gruesome Twosome” in the 332nd Fighter Group.

During his brief years as a Tuskegee Airman, Pruitt flew 70 combat missions overseas. He is credited with permanently disabling a German destroyer, shooting down three enemy planes in the air, and destroying several others on the ground. His air victories earned him the rank of captain as well as several awards and honors, including the Distinguished Flying Cross and the Air Medal with six Oak Leaf Clusters. Because of his exploits, his hometown of St. Louis proclaimed December 12, 1944 as Captain Wendell O. Pruitt Day. In April of 1945, just five months after celebrating his day of honor in his hometown and returning to Tuskegee rather than Europe, Pruitt and a student were killed in a plane crash while in training.

Though Pruitt is not well remembered today, his legacy continued for decades after his death. In 1952 the city of St. Louis named the federally subsidized, high-rise Pruitt-Igoe Housing Project after him. Pruitt-Igoe was originally segregated with the Wendell O. Pruitt apartments reserved for African American residents, and the William L. Igoe apartments reserved for white residents. Endless problems, including crime, drugs and rodent infestations, led to the demolition of the Pruitt-Igoe complex beginning in 1972. In 1984, the Pruitt Military Academy was established in St. Louis.  American Veteran posts in Michigan and Missouri honor Pruitt’s name today.

Black History 365: Gabourey Sidibe

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Gabourey Sidibe (/ˈɡæbəˌreɪ ˈsɪdɪˌbeɪ/ GAB-ə-ray SID-i-bay; born May 6, 1983)[1] is an American actress. She made her acting debut in the 2009 film Precious, a role that earned her the Independent Spirit Award for Best Female Lead, in addition to nominations for the Golden Globe and Academy Award for Best Actress. Her other film roles include Tower Heist (2011), White Bird in a Blizzard (2014), Grimsby (2016) and Antebellum (2020).

From 2010 to 2013, she was a main cast member of the Showtime series The Big C. Sidibe co-starred in the television series American Horror Story: Coven (2013–2014) as Queenie and American Horror Story: Freak Show (2014–2015) as Regina Ross, and later reprised her role as Queenie in American Horror Story: Hotel (2015–2016) and American Horror Story: Apocalypse (2018). From 2015 to 2020, she starred in the Fox musical drama series Empire as Becky Williams.

Early life

Sidibe was born in Bedford–Stuyvesant, Brooklyn, New York City, and was raised in Harlem.[2] Her mother, Alice Tan Ridley, is an American R&B and gospel singer who appeared on the fifth season of America’s Got Talent, on June 15, 2010. Her father, Ibnou Sidibe, is from Senegal and is a cab driver.[citation needed] Growing up, Sidibe lived with her aunt, feminist activist Dorothy Pitman Hughes.[3] She holds an associate degree from Borough of Manhattan Community College and attended but did not graduate from City College of New York and Mercy College.[4] She worked at The Fresh Air Fund‘s office as a receptionist before pursuing an acting career.[5]

Career

In Precious, Sidibe played the main character, Claireece “Precious” Jones, a 16-year-old mother of two (the result of Precious being raped by her father) who tries to escape abuse at the hands of her mother. The film won numerous awards, including two Academy Awards, a Golden Globe Award, and Sundance Film Festival Grand Jury Award.[6] On December 15, 2009, she was nominated for a Golden Globe in the category of Best Performance by an Actress in a Motion Picture Drama for her performance in Precious. The next month she received an Academy Award nomination for Best Actress.

Her next film, Yelling to the Sky, was a Sundance Lab project directed by Victoria Mahoney and starring Zoe Kravitz, in which she played Latonya Williams, a bully.[7] In 2011, Sidibe was in the film Tower Heist and voiced a “party girl[vague] character in “Hot Water”, the first episode of season 7 of American Dad! She appeared in the season 8 American Dad! episode “Stanny Tendergrass” early in 2013, and starred in the music video for “Don’t Stop (Color on the Walls)” by the indie pop band Foster the People. Sidibe also appeared in the Showtime network series The Big C as Andrea Jackson.

Sidibe said in 2012 that before she was hired for the 2009 film Precious, she was advised by Joan Cusack not to pursue the entertainment industry, advising Sidibe to quit the business since “it’s so image-conscious.”[8]

By April 2013, Sidibe had joined the cast of American Horror Story season 3, portraying Queenie, a young witch.[9] She returned to the series for its fourth season, American Horror Story: Freak Show as a secretarial school student, Regina Ross.[10] From 2015, she stars in Lee Daniels‘ Fox musical series Empire as Becky Williams alongside Terrence Howard and Taraji P. Henson. Sidibe portrays the head of A&R in the Empire company.[11] As of April 2015, Sidibe was promoted to a series regular in season 2.[12] She also starred in the Hulu series Difficult People as Denise.[13]

In 2015, publisher Houghton Mifflin Harcourt announced Sidibe would be writing a memoir set to be published in 2017.[14] On January 6, 2016, Sidibe appeared in the penultimate episode of American Horror Story: Hotel, reprising her Coven role as Queenie, marking her third season in the series. After sitting out subsequent seasons Roanoke and Cult, Sidibe returned to American Horror Story in 2018, appearing once again as her character Queenie in its eighth season, Apocalypse.

Personal life

In March 2017, Sidibe revealed that she had been diagnosed with type 2 diabetes and that as a consequence she underwent laparoscopic bariatric surgery in an effort to manage her weight.[15]

In November 2020, Sidibe announced her engagement to Brandon Frankel, a talent manager with Cameo.[16][17][18]

https://en.wikipedia.org/wiki/Gabourey_Sidibe

Black History 365: Vashti Harrison

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Part author – Illustrator – filmmaker Vashti Harrison is an artist originally from Onley, Virginia. She has a background in cinematography and screenwriting and a love for storytelling. She earned her BA from the University of Virginia with a double major in Media Studies and Studio Art with concentrations in Film and Cinematography. She received her MFA in Film and Video from CalArts where she rekindled a love for drawing and painting. Now, utilizing both skill sets, she is passionate about crafting beautiful stories in both the film and kidlit worlds.

Her Experimental films and videos focus on her Caribbean Heritage and folklore. They have shown around the world at film festivals and venues including the New York Film Festival, Rotterdam International Film Festival and Edinburgh International Film Festival. Find out more 

https://www.vashtiharrison.com/about

Black History 365: Dread Scott

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Biography

Dread Scott is a visual artist whose works is exhibited across the US and internationally. In 1989, his art became the center of national controversy over its transgressive use of the American flag, while he was a student at the School of the Art Institute of Chicago. President G.H.W. Bush called his art “disgraceful” and the entire US Senate denounced and outlawed this work. Dread became part of a landmark Supreme Court case when he and others defied the federal law outlawing his art by burning flags on the steps of the U.S. Capitol. He has presented at TED talk on this.

His work has been included in exhibitions at MoMA PS1, the Walker Art Center, Cristin Tierney Gallery, and Gallery MOMO in Cape Town, South Africa, and is in the collection of the Whitney Museum and the Brooklyn Museum. He is a 2021 John Simon Guggenheim Fellow and has also received fellowships from Open Society Foundations and United States Artists as well as a Creative Capital grant.

In 2019 he presented Slave Rebellion Reenactment, a community-engaged project that reenacted the largest rebellion of enslaved people in US history. The project was featured in Vanity Fair, The New York Times, Christiane Amanpour on CNN and highlighted by artnet.com as one of the most important artworks of the decade.

Artists Statement

I make revolutionary art to propel history forward. I look towards an era without exploitation or oppression. I don’t accept the political structures, economic foundation, social relations and governing ideas of America. This perspective has empowered me to make artworks that view leaders of slave revolts as heroes, challenge American patriotism as a unifying value, burn the US Constitution (an outmoded impediment to freedom), and position the police as successors to lynch mob terror.

In 1989, my artwork What is the Proper Way to Display a US Flag?, a conceptual artwork for audience participation, became the subject of national conversation over its transgressive use of the American flag. President G.H.W Bush called it “disgraceful” and the Senate denounced and outlawed it. This public conversation confirmed my belief that art, including fine art, could be part of changing the world.

I work in a range of media: performance, installation, video, photography, printmaking and painting. Two threads that connect them are: an engagement with significant social questions and a desire to push formal and conceptual boundaries as part of contributing to artistic development. My projects are presented in venues ranging from museum galleries to street corners. I bring contemporary art to a broad public and the audience is often an active element of the art.

Dread Scott: Decision is a performance that reflects on America, a country whose democracy is rooted in slavery. These roots are woven into the fabric of the country and its founding documents. During the performance I read from the text of 1857 Supreme Court Dred Scott Decision while a group of 4 nude Black performers was guarded and controlled two live German Shepherd dogs, which dogs barked continually. The audience was part of the work and had to pass through the men to go into a “voting booth” one at a time and respond to a moral question. Money to Burn is a performance that was enacted on Wall Street in 2010. Starting with $250, I burned singles, fives, tens and twenties, one bill at a time, while encouraging others to join me with their own money. The transgressive act of burning my own money alluded to the absurdity of a system that treats life necessities as commodities and is based on profit—it’s crazy to burn money but it is the height of rationality to have a market where billions can vanish.

Black History 365: Elliot C. van Zandt

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Elliot C. van Zandt had a major impact on the development of Italian sports from 1947 to 1959. Born in Arkansas in 1915, van Zandt lost his father at a very early age. Census records indicate that Elliot’s widowed mother, a seamstress, probably left him with relatives in the South when she moved to Memphis, Tennessee and then to Chicago, Illinois. During the early 1930s, van Zandt was employed by the Civilian Conservation Corps as director of summer youth sports. He then attended Tuskegee Institute where he obtained a physical education degree in 1943. During his stay at Tuskegee he was a star basketball player, as well as assistant coach for the basketball team. In January of 1943 van Zandt was a referee at the Southwestern Invitational Basketball Tournament quarterfinals held in Marshall, Texas.

In late 1943 van Zandt was drafted into military service and sent to northern Italy, where he fought with the 5th Army. He ended the war with the rank of infantry captain. In 1945 van Zandt was stationed near Florence, Italy, where he was a sports instructor; during this period, he also participated in both the softball and badminton championships of the 5th Army.

In February 1947 van Zandt was hired by the president of the fledgling Italian Basketball Federation to train all the national basketball teams. From 1947 to 1951 van Zandt was head coach of the Italian men’s basketball team. During this period he also traveled around Italy, teaching the fundamentals of basketball to players and coaches. As the coach of the Italian basketball team, van Zandt constantly stressed physical preparation and what he called “the fundamentals” of basketball. While van Zandt was not allowed to attend the 1947 European Basketball Championship in Czechoslovakia because of Cold War political rivalry, he did take the Italian national team to the 1948 London (UK) Olympics and the 1951 European Championship in Paris, France. His stint as a head coach ended in 1951; van Zandt was then hired as the head coach of the Turkish national basketball team. He took this team to the 1952 Helsinki (Finland) Olympics.

In 1953 van Zandt returned to Italy, where he was head coach for the C.U.S. Milano baseball team from 1955 to 1958. He had his greatest success however with the Milan soccer team from 1956 to 1959. Here, working closely with head coach Luigi “Cina” Bonizzoni, van Zandt broke new ground in the world of soccer. He was the first athletic trainer in Italian soccer. His innovative training methods helped the Milan team win the top flight Serie A professional soccer championship in 1958-59. Tragically, van Zandt was not able to continue his work with A.C. Milan. He died of a kidney disease while on a plane flight back to Chicago, where he was hoping to have a kidney transplant.

Black History 365: Quinta Brunson

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‘Abbott Elementary’ creator and star Quinta Brunson on the teacher advice she still follows

Quinta Brunson knows all too well that success doesn’t happen overnight.

The Abbott Elementary creator is celebrating after having a successful Season 1 of her mockumentary-style sitcom, which documents the lives of five Philadelphia-based teachers. In its first season, the show received a 100% score from critics on Rotten Tomatoes, making it one of the highest-rated television shows on the site.

“The popularity of Abbott, that was surprising and I was excited that people liked the show that much. Sometimes, with sitcoms, you’re kind of waiting for a while for people to catch on to your show, but it really felt like people came to Abbott right away,” Brunson tells Yahoo Life.

While the show’s instant success shocked the actress, her meteoric rise from viral social media comedian to executive producer did not.

“This was always what I was working toward,” she says.

For years, Brunson built a comedic fanbase on Instagram, where she would post humorous skits, namely her ​​”Girl Who Has Never Been on a Nice Date”series. She also freelanced for Buzzfeed before joining the team as a video producer, focusing on humorous sketches illustrating the ups and downs faced by many 20-somethings. In 2019, she starred in the first season of Robin Thede’s comedy series, A Black Lady Sketch Show on HBO.

Now at 32, Quinta has her own show. Abbott Elementary premiered in 2021 and focuses on the lives, careers and hijinks of the teachers of Abbott Elementary, one of the worst schools in Philadelphia. With a name inspired by Brunson’s own sixth grade teacher, Joyce Abbott, the show also illustrates the often thankless work that teachers do and was inspired by and

While plenty has changed for the actress since sixth grade, many of the lessons and practices she learned in school still play a role in her life to this day.

“I had this one teacher, Mr. Connor, who told a student who was calling another student a liar … [that] ‘when you call someone a liar, you’re making a comment about their whole character. If someone tells a lie, then that’s the thing that they did. But if you call someone a liar, then you’re naming them as a character; you’re kind of changing who they are as a person.’ That just always stuck with me, like the power of words in how we define others and how we judge others; how we can be quick to define the character of other people. It’s something I think about all the time, kind of not judging a person by a minor wrongdoing that they did, but trying to see them as a full person. I think about that a lot.”

Brunson has always been vocal about teachers’ instrumental role in students’ lives. That is why she chose to partner up with Box Tops for Education during Teacher Appreciation Month. Together they’ll be donating $20,000 to her old elementary school, Andrew Hamilton in Philadelphia, in support of real teachers making a difference every day. Shoppers can also download the Box Tops for Education app and enter code “TEACHERSMAKEUSBETTER” during registration to earn $5 for their school of choice when they scan a receipt.

“There wasn’t a part of me that felt like I shouldn’t be involved, or the show shouldn’t be involved with giving back in some way, and Box Tops has been such an important part of my education for a very long time,” she says. “For the last 25 years, they’ve really been instrumental in believing that a child’s education is the foundation to achieving their fullest potential. Teachers play such an instrumental role in that development. That’s part of why Abbott was made. So advocating for education is like a core Box Tops mission. And that’s kind of a core mission of my own, as you can tell by my show, and so it made sense to partner with them during this TeachersAppreciation Month to shine a spotlight on these teachers who changed lives.”

https://www.yahoo.com/lifestyle/abbott-elementary-quinta-brunson-teacher-appreciation-152902532.html

Black History 365: Tiffany Joseph

We are highlighting examples of Black excellence throughout the year! Feel free to send us suggestions!

Tiffany Joseph is a multi talented and multifaceted holistic health, wellness, and movement coach. She is a certified Yoga and Zumba instructor, teaching dance throughout Western Massachusetts. She teaches a combination of Hatha, Restorative, and Yin Yoga and has been doing bodywork for three years as a Shiatsu and Reiki practitioner. In addition to being an an excellent gardener and herbalist, Tiffany received her Master’s in Social Justice Education from the University of Massachusetts Amherst, as well as a Bachelors in Communications and a Certificate in Native American studies. She continues to do activism work around the community, providing educational workshops surrounding various social justice issues. Tiffany is also interested in earning a trauma therapy PhD in the near future.

Black History 365: Frankie Light

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He Made Yiddish Go Viral

Frankie Light is one of the new breed of “YouTube polyglots.” He taught himself Mandarin, but can he earn a living making small talk with strangers?

By Saki KnafoApril 28, 2022

One blustery afternoon this past winter, a Volkswagen Tiguan sped through Brooklyn, headed for 770 Eastern Parkway, the world headquarters of the Chabad-Lubavitch movement of Hasidic Judaism. Frankie Light sat in the back seat, anxiously looking over some notes that he’d prepared the night before. At the top of the page was the working title of the video he was about to shoot: “Black Man SHOCKS Orthodox Jews by Speaking FLUENT Yiddish.”

Frankie Light is what’s known on social media as a YouTube polyglot. He studies various languages and practices them on the streets of New York, enlisting strangers as impromptu conversational partners. The often-charming results are then posted online. His most popular videos have gotten more than seven million views.

Other YouTubers have a similar shtick. Some can converse in dozens of languages — or at least that’s what their videos would lead you to believe. On YouTube and Reddit, skeptics have accused them of feigning fluency. “They’re people who learn just a tiny bit of a lot of different languages,” a teacher of Japanese charges in a video titled “Exposing YouTube’s FAKE POLYGLOTS and Their Lies.”

Mr. Light speaks several languages well, but Yiddish doesn’t happen to be one of them. He’d uttered his first Yiddish phrase (“Shalom aleichem”) only a couple of weeks earlier. Now he was about to hit the streets in the heart of one of Brooklyn’s Hasidic communities. “I feel the adrenaline,” he said.

He had hired two camera guys to document whatever was about to happen. One, a 19-year-old from Georgia (the country), was driving. Mr. Light, who has a magnetic presence, with high cheekbones and a scruff of hair on his chin, wore a black shearling coat over a silver-gray sweater with a shawl collar and had a curving side part carved into his fade. It was the afternoon of the fifth day of Hanukkah, and the streets of Crown Heights were bustling. Outside the synagogue, scores of bearded men in black fedoras were milling about. “This video is about to go viral,” he said. “Super viral.”

The most popular of the YouTube polyglots is probably Mr. Light’s friend and occasional collaborator Arieh Smith, a white New Yorker known to his millions of followers as Xiaoma (Mandarin for “Little Horse”). Mr. Smith didn’t speak any language other than English until he was 18. In college, he studied abroad in Beijing, where he learned Mandarin. Since then, he has dipped into Cantonese, Fuzhounese, Vietnamese, Japanese, Korean, Tagalog, Tibetan, Urdu, Hindi, Bengali, Gujarati, Punjabi, Arabic, Amharic, Yoruba, Igbo, Wolof, and Mayan. He recently spent a week with a family in the Arizona desert, learning some Navajo.

As unconventional as that career path may sound, Mr. Light, who is 27, has followed an even less conventional track. He dropped out of community college after two semesters and had never traveled outside of the United States until a monthlong trip to Dubai four months ago. He became a YouTube polyglot without leaving New York City.

He grew up as Frankie Smith in the East Flatbush neighborhood of Brooklyn, among people who spoke Haitian Creole and Jamaican Patois. At home he used American Sign Language. His parents are deaf, which he says made him something of an outcast on the block and at school. “Kids bullied me,” he said. “I was different because my parents are different.”

Over time, he developed a knack for disarming people who saw him as odd. “I realized that I could find common ground with all kinds of different people,” he said. “I could hang out with the geeks, and I could hang out with the street dudes. I always had that sense of trying to fit in.”

About seven years ago, he discovered the work of Moses McCormick, better known in the polyglot community as Laoshu (“Mouse” in Mandarin), a Black YouTuber from Ohio who made a career out of finding common ground with all kinds of people. Mr. McCormick, who died last year of heart complications at the age of 39, claimed to have taught himself some 20 languages and could manage rudimentary exchanges in perhaps 30 more. He made videos of himself chatting with surprised immigrants in supermarkets and shopping malls, developing the style that Xiaoma, Mr. Light and others would eventually adopt.

When Mr. Light first encountered these videos, he was amazed. By then, he had left college and was working in a barbershop. Although he loved learning, he had always struggled in school. “I believe that I have ADHD,” he said. “If things are not interesting enough, it takes a lot of mental fortitude and strength to focus.” Laoshu’s videos expanded Mr. Light’s sense of what was possible. “If that guy can learn 50 languages, I can learn one,” he thought.

Inspired, he decided to try to learn Mandarin, mostly because he had read that it was one of the hardest languages for native English speakers to master. “I wanted to prove that I could do something challenging if I put my mind to it,” he said.https://www.youtube.com/embed/eAxDGcSbrnE

He used a few language-learning apps, with disappointing results. He knew he had to immerse himself in the language, but how? He didn’t have the means to go to China, so he took the 7 train to Flushing, Queens, and its Chinatown, and started asking random people on the street if they could point him toward their favorite hair salon.Sign up for the New York Today Newsletter  Each morning, get the latest on New York businesses, arts, sports, dining, style and more. Get it sent to your inbox.

He eventually arrived at an outpost of MG Hair Artistic Salon, a chain with branches in Queens and Boston, and he begged the owner, Wang Qin Bin, for a job. Mr. Wang turned him down, but Mr. Light persisted, saying he’d accept any position, no matter how little it paid. After a day or two, Mr. Wang relented. “We were impressed by his courage,” he recently recalled, through an interpreter.

Mr. Light was tasked with sweeping the floors; later, he effectively assumed the role of marketing director, creating videos in English that helped the business expand its clientele beyond Chinese speakers. By the time he left, a year after arriving, he was so adept at Mandarin that, as one of the salon’s employees recently noted, he took to sprinkling the sayings of ancient philosophers into everyday conversation.

After leaving the salon, Mr. Light reached out to Mr. Smith, whose videos were going viral. “He sent me a cold email out of the blue,” Mr. Smith recalled. “He’s like, ‘Hey, I’m a Black guy and I speak really good Mandarin, and I learned it by working in a hairdresser’s in Flushing.’ And I’m like: ‘What? That’s crazy!’” They filmed themselves walking around Flushing together, ordering spicy duck neck and skewers of lamb on the street. At a hair salon (not MG Hair Artistic), Mr. Light, speaking English, asked the barber for a fade. As the buzzer grazed his head, he switched to Mandarin. “So,” he said, “you ever cut a Black guy’s hair before?”

That video — “Black & White Guys Shock Chinese Hair Salon With Perfect Mandarin” — got 4.2 million views, launching Mr. Light’s YouTube career. Within a few months, 100,000 people had subscribed to his channel. Six months later, that number had doubled. Some viewers quibbled with his pronunciation of certain words, or accused him of trafficking in clickbait.

But the response was overwhelmingly admiring. Commenters have praised him for “breaking down barriers” and for his “universal message of inclusiveness and positivity.” A fan who identified herself as a teacher in Cleveland wrote that she’d been showing his videos to her students. “The fact that they get to see other POC thriving, speaking other languages has been really cool,” she remarked.

An estimated 600,000 people speak Yiddish. About a quarter of them live in the metropolitan area, according to Kriszta Eszter Szendroi, a professor in linguistics at University College London. Still, finding a willing Yiddish speaker on the streets of Hasidic Crown Heights, even during Hanukkah, wasn’t easy. A guy throwing a yo-yo outside a kosher grocery store looked promising to Mr. Light, but he turned out to be French. A man handing out religious pamphlets spoke Russian.

Several members of the neighborhood’s Hasidic community suggested that Mr. Light might have more success in Williamsburg, home of the Satmar, a group of Hasidim who famously avoid unnecessary contact with outsiders. The Chabad-Lubavitch of Crown Heights, by contrast, believe they can hasten the coming of the Messiah by bringing secular Jews into the fold. One consequence is that many members come from non-Hasidic backgrounds, and therefore don’t generally speak Yiddish.

Another consequence, though, is that they welcome opportunities to engage in religious discussion. On the way to Crown Heights, Mr. Light had worried that they might take offense to his presence; if anything, the opposite seemed true. Here was a telegenic young person expressing interest in their culture, potentially in front of thousands, even millions, of viewers. One particularly exuberant man insisted on giving him a tour of the Mitzvah Tank, a truck used to spread the teachings of their late leader, the Rebbe Menachem Mendel Schneerson. An Israeli yeshiva student lectured him on the Seven Laws of Noah.

Mr. Light said he had always been curious about Hasidic culture. He had grown up not far from Crown Heights but admitted he had never even shaken a Hasidic person’s hand. “I was always on the outside looking in,” he said.

There is a long history of tensions between Black and Hasidic people in Brooklyn that goes back even beyond the Crown Heights riot of 1991. But Mr. Light, ever diplomatic, steered clear of such topics. He tried to keep things light. “I’m here to make friends,” he explained.

He ultimately did get to speak some Yiddish that day. As he lingered on the sidewalk, trying to work up enough courage to dive into the crowd outside the Chabad headquarters, an outgoing yeshiva student in his late 20s approached him and asked in English if he played football. It turned out that the student, Moshe Muss, regarded himself as a talented athlete and had sized up Mr. Light as a potential practice partner.

Mr. Light is fit, but you wouldn’t necessarily peg him as an athlete. Still, he agreed to give it a try. As they exchanged numbers, Mr. Light revealed his reason for visiting the neighborhood that day, prompting Mr. Muss to look up from his phone with a smile. “How come you didn’t speak to me in Yiddish?” he asked.

It was Mr. Light’s turn to be surprised. “You speak Yiddish?” he asked, in Yiddish.

Stumbling ahead in the language, Mr. Light explained that he’d been using Duolingo, the popular language-learning app.

“Glahtig, glahtig,” Mr. Muss said. Rough translation: “Cool, cool.”

Their exchange went on for only another minute or so before Mr. Light exhausted his supply of phrases. No matter. A week later, Mr. Light posted the video. In the end, he had thought better of including the word “fluent” in the title. The revised version: “Black Man SHOCKS Orthodox Jews by Speaking Russian Yiddish.” Several Orthodox websites picked it up, helping it go viral (it has had more than two million views).

Mr. Light stayed in touch with Mr. Muss and did end up throwing around a football with him one day. (He made a video about it.) But his Yiddish studies haven’t progressed much further. To succeed as a YouTube polyglot, you have to constantly expand your repertoire of languages, which makes it hard to spend enough time on any one language to become truly proficient. Mr. Light was beginning to share some of the frustrations voiced by critics of the genre. “Sometimes I feel like I rely too much on short-term memory,” he said. “You’re focusing on entertainment.”

In the meantime, he had glimpsed another opportunity. Somewhere on the internet, he had learned that there is a growing demand for gold traders who understand the intricacies of finance in the Islamic world. He is now learning Arabic.

https://www.nytimes.com/2022/04/28/nyregion

Black History 365: Dr. Sherry Blake

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Dr. Sherry Blake, is one of the most highly sought-after media experts in the area of mental health in the country. Most known as the therapist for WeTv’s longest standing African American family reality series “Braxton Family Values,” she has appeared as a guest expert on countless other shows including The Real Housewives of Atlanta, T.I. & Tiny Family Hustle, Love and Hip Hop Atlanta, Preachers of Atlanta, Little Women of Atlanta, CNN, MSNBC, and HLN.

She has also been featured on numerous national syndicated radio shows including The Michael Baisden Show, Tom Joyner Morning Show, The Doug Banks Morning Show, and Essence Live. Dr. Sherry is a licensed clinical psychologist with over 30 years and over 200,000 hours of direct and indirect service. She works with everyone from top celebrities in the entertainment, news, and sports arena to everyday people.

Dr. Sherry earned her Ph.D. in Clinical Psychology from Vanderbilt University in Nashville, Tennessee. She also earned her Masters of Science Degree from Vanderbilt after graduating summa cum laude from Tennessee State University. Dr. Sherry has served on numerous Boards of Directors and as the President of the Metropolitan Atlanta Mental Health Association.

– IMDb Mini Biography By: Johnny Lester Jr.

https://www.imdb.com/name/nm9111031/bio

Black History 365: Ron Carter

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Ron Carter is one of the most prolific and influential bassists in jazz history. During his six-decade career, he has recorded more than 2,000 records, and he has no plan on slowing down.

“Age has not made me think slower,” Carter says. And it’s not made me refuse gigs. What it’s made me do is be thankful I got this far playing an instrument with four strings.”

Next Tuesday, May 10, For the Love of Ron Carter and Friends will take place at Carnegie Hall – which is a one-night 85th birthday celebration. Carter will lead three different bands performing highlights from his career.

The Most Important Bass Player

Born in Ferndale, Michigan in 1937, Carter started to play the cello at the age of 10, but switched to bass in high school because he claims opportunities were limited for Black musicians to play classical music. He studied at the Eastman School of Music, then went on to get his master’s degree at the Manhattan School of Music. By the time he was 25, he was one of the most sought-after sidemen in jazz.

Carter’s most historic recordings came in the 1960s as the bassist in the second great Miles Davis Quintet. He says the band – with Miles Davis on trumpet, George Coleman and then Wayne Shorter on saxophone, Herbie Hancock on piano, and Tony Williamson on drums — never rehearsed before recording.

“God gave Miles the title of Head Clinician at this laboratory,” Carter recalls. “And his job was to bring in these various chemicals night in and night out, and see what these remaining four guys in this group—what kind of combinations would they find of these explosive devices he brought to the gig, and what kind of fun could he have trying to keep up.”

Each night when Carter would leave a gig with the Miles Davis Quintet, he’d review the session.

“I’d look back and say now, ‘How did I help these guys play better?’ And ‘how could I make me be better as I got them better?’ Those are my views,” he says. “And to this day, that’s still how I feel when I’m playing a gig: That I helped these people who I’m playing with get better because I’m playing with them.”

And Carter has certainly helped a lot of musicians get better. Bassist Stanley Clarke says in the last 50 years, Carter has been “the most important bass player.” Before Clarke became famous as a founding member of Chick Corea’s Return to Forever band, he says he learned by listening to Carter.

“I remember as a young kid, I used to get his records,” Clarke recalls. “I could tell he was very, very professional because the consistency was there from record to record to record: his sound, his ability, and then his flow.”

Giovanni Russonello, who writes about Jazz for the New York Times, says Carter has left as big a footprint in the music as any musician, let alone bassists.

“When I think of Ron Carter, I think of this incredible ability to be sure-footed everywhere, but also sound almost like a plasma, like some undefinable, mutable substance,” he said. “Because his bass line sound endlessly fascinating, and full of ideas. And on the move.”

https://www.npr.org/2022/05/04/1096293712/85-year-old-bassist-ron-carter-has-no-plans-on-slowing-down