https://www.artic.edu/authors/63/antawan-i-byrd
Antawan I. Byrd is associate curator, Photography and Media, at the Art Institute of Chicago. Since joining the museum in 2017, he has contributed to the exhibition Volta Photo: Starring Sanlé Sory and the People of Bobo-Dioulasso in the Small but Musically Mighty Country of Burkina Faso (2018) and curated and co-edited the catalogue for The People Shall Govern! Medu Art Ensemble and the Anti-Apartheid Poster (2019) with Felicia Mings. He recently curated Mimi Cherono Ng’ok: Closer to the Earth, Closer to My Own Body, the first solo presentation in the United States of the Kenyan-born photographer.
https://arthistory.northwestern.edu/people/faculty/antawan-byrd.html
Antawan I. Byrd is an assistant professor of art history and a faculty affiliate of Northwestern’s Program of African Studies. As an art historian, Byrd’s research is grounded in Pan-Africanism, a long-standing political and cultural project that imagines global solidarities among peoples of African descent while confronting the enduring legacies of slavery and colonialism. His work asks what it would mean to write art history with these sociopolitical commitments in view, tracing how such aspirations, whether unified or fractured, have shaped artistic and everyday cultural practices across Africa and the African diaspora. Within this framework, he focuses on modern and contemporary art of the long twentieth century, with particular attention to the intersections of sound, visual culture, and politics.